Johann Sebastian Bach, Lang Lang made "Goldberg Variations, BWV 988: Variatio 7 a 1 ovvero 2 Clav. Al tempo di Giga - Live at Thomaskirche Leipzig / 2020" available on February 12, 2021. The duration of Goldberg Variations, BWV 988: Variatio 7 a 1 ovvero 2 Clav. Al tempo di Giga - Live at Thomaskirche Leipzig / 2020 is about two minutes long, specifically at 2:11. This song does not appear to have any foul language. Goldberg Variations, BWV 988: Variatio 7 a 1 ovvero 2 Clav. Al tempo di Giga - Live at Thomaskirche Leipzig / 2020's duration is considered a little bit shorter than the average duration of a typical track. The song is number 8 out of 78 in Bach: Goldberg Variations (Extended Edt.) by Johann Sebastian Bach, Lang Lang, Gottfried Heinrich Stölzel, Johann Gottlieb Goldberg, Robert Schumann. Goldberg Variations, BWV 988: Variatio 7 a 1 ovvero 2 Clav. Al tempo di Giga - Live at Thomaskirche Leipzig / 2020 is below average in popularity right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Goldberg Variations, BWV 988: Variatio 7 a 1 ovvero 2 Clav. Al tempo di Giga - Live at Thomaskirche Leipzig / 2020 by Johann Sebastian Bach, Lang Lang is Larghetto (rather broadly), since this song has a tempo of 65 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
St. Matthew Passion, BWV 244, Pt. 2: No. 60. Sehet. Jesus hat die Hand | Johann Sebastian Bach, Stephen Cleobury, Academy of Ancient Music, Choir of King's College, Cambridge, David Allsopp | D Major | 0 | 10B | 124 BPM | ||
Concerto Armonico No. 1 in G Major: Grave | Unico Wilhelm van Wassenaer, Aradia Ensemble, Kevin Mallon | F♯ Major | 1 | 2B | 63 BPM | ||
Concerto For 2 Keyboards In C Minor, BWV 1062: I. - Allegro | Cologne Chamber Orchestra, Michael Behringer, Robert Hill, Johann Sebastian Bach | C Minor | 4 | 5A | 106 BPM | ||
Sonata a 5 in G Minor, Op. 2, No. 6: III. Grave | Tomaso Albinoni, Capella Istropolitana, Jaroslav Krcek | G Minor | 0 | 6A | 94 BPM | ||
Symphony in A Major, J-C 62: II. Andante e pianissimo | Giovanni Battista Sammartini, Aradia Ensemble, Kevin Mallon | A♭ Minor | 0 | 1A | 104 BPM | ||
Keyboard Concerto in G Major, Wq. 44: II. Andantino | Carl Philipp Emanuel Bach, Michael Rische, Kammersymphonie Leipzig | E Minor | 0 | 9A | 87 BPM | ||
Limu, limu, lima (Arr. Schindler for Piano) | Lang Lang | E Minor | 0 | 9A | 69 BPM | ||
The Well-Tempered Clavier, Book I, BWV 846-869 - Fugue No. 4 in C-sharp Minor, BWV 849 | Classical Coterie | D♭ Major | 1 | 3B | 135 BPM | ||
Oboe Concerto in G Minor, Op. 9, No. 8: II. Adagio | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | B♭ Major | 1 | 6B | 89 BPM | ||
La Logivière: 5ème ordre, 1er livre | François Couperin, Iddo Bar-Shaï | A Major | 1 | 11B | 63 BPM |
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