Classical Coterie made "The Well-Tempered Clavier, Book I, BWV 846-869 - Fugue No. 4 in C-sharp Minor, BWV 849" available on September 7, 2020. The duration of The Well-Tempered Clavier, Book I, BWV 846-869 - Fugue No. 4 in C-sharp Minor, BWV 849 is about two minutes long, specifically at 2:36. This song does not appear to have any foul language. The Well-Tempered Clavier, Book I, BWV 846-869 - Fugue No. 4 in C-sharp Minor, BWV 849's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Classical Coterie's "Johann Sebastian Bach: The Well-Tempered Clavier, Book 1, WV 846-869" album is number 8 out of 48. On top of that, United Kingdom appears to be the country where this track was created. Based on our statistics, The Well-Tempered Clavier, Book I, BWV 846-869 - Fugue No. 4 in C-sharp Minor, BWV 849's popularity is not that popular right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
We consider the tempo marking of The Well-Tempered Clavier, Book I, BWV 846-869 - Fugue No. 4 in C-sharp Minor, BWV 849 by Classical Coterie to be Allegro (fast, quick, and bright) because the track has a tempo of 135 BPM, a half-time of 68BPM, and a double-time of 270 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
6 Preludes & Fugues by J.S. Bach, S. 462: No. 1, Fugue in A Minor (After BWV 543) | Franz Liszt, Khatia Buniatishvili | A Minor | 1 | 8A | 80 BPM | ||
Piano Concerto No. 2 in C Minor, Op. 18: 2. Adagio sostenuto | Sergei Rachmaninoff, Zoltán Kocsis, San Francisco Symphony, Edo de Waart | D Major | 3 | 10B | 141 BPM | ||
Carnaval, Op. 9: XII. Chopin | Robert Schumann, Daniil Trifonov | E Major | 0 | 12B | 68 BPM | ||
Le Carnaval des Animaux, R. 125: Le Cygne | Camille Saint-Saëns, Mischa Maisky, Martha Argerich, Nelson Freire | G Major | 0 | 9B | 90 BPM | ||
夜想曲第2番 変ホ長調 Op. 9-2 | Yukio Yokoyama | B♭ Major | 0 | 6B | 62 BPM | ||
Premières valses: No. 5, Pas vite, simplement | Reynaldo Hahn, Dario Müller | G Minor | 0 | 6A | 139 BPM | ||
Études Op. 25 No. 11 in A minor (Winter Wind) | Classical Coterie | A Minor | 2 | 8A | 86 BPM | ||
Schwanengesang, S. 560: VII. Ständchen (2nd Version, After Schubert D. 957/4) | Franz Liszt, Angela Hewitt | A Major | 2 | 11B | 143 BPM | ||
Nocturne in B Major, Op. 22 | Charles-Valentin Alkan, Pascal Amoyel | B Major | 0 | 1B | 67 BPM | ||
Liszt: Grandes études de Paganini, S. 141: No. 3, La Campanella | Franz Liszt, Paul Ji | A♭ Minor | 3 | 1A | 96 BPM |
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