"Le Carnaval des Animaux, R. 125: Le Cygne" by Camille Saint-Saëns, Mischa Maisky, Martha Argerich, Nelson Freire was released on January 1, 2001. The duration of Le Carnaval des Animaux, R. 125: Le Cygne is about 3 minutes long, at 3:10. Based on our data, "Le Carnaval des Animaux, R. 125: Le Cygne" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 26 in the song's album "Saint-Saens: Le Carnaval des Animaux; Organ Symphony". In this album, this song's track order is #13. In terms of popularity, Le Carnaval des Animaux, R. 125: Le Cygne is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Le Carnaval des Animaux, R. 125: Le Cygne by Camille Saint-Saëns, Mischa Maisky, Martha Argerich, Nelson Freire having a BPM of 90 with a half-time of 45 BPM and a double-time of 180 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
G Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Goldberg Variations, BWV 988 (Arr. D. Sitkovetsky for String Trio): Variatio 7. a 1 o vero 2 Clav. - Variatio 8. a 2 Clav. - Variatio 9. Canone alla Terza. a 1 Clav. | Johann Sebastian Bach, Dmitry Sitkovetsky, Gérard Caussé, Mischa Maisky | E Minor | 0 | 9A | 80 BPM | ||
Salut d'amour, Op. 12 | Edward Elgar, Kyung Wha Chung, Phillip Moll | E Major | 1 | 12B | 175 BPM | ||
21 Hungarian Dances, WoO 1: Hungarian Dance No. 16 in F Minor | Seattle Symphony Orchestra, Johannes Brahms, Gerard Schwarz | F Major | 1 | 7B | 83 BPM | ||
Adagio in F, H.XVII No.9 | Franz Joseph Haydn, Alfred Brendel | F Major | 0 | 7B | 71 BPM | ||
Peer Gynt, Op. 23 / Act III: Solveig's Song (Arr. for Cello and Piano by Georg Goltermann) | Edvard Grieg, Mischa Maisky, Lily Maisky | B♭ Major | 1 | 6B | 135 BPM | ||
Kinderszenen, Op.15 - Cello and Piano: Träumerei | Robert Schumann, Mischa Maisky, Pavel Gililov | F Major | 0 | 7B | 90 BPM | ||
Five Pieces For Two Violins and Piano: IV. Waltz | Dmitri Shostakovich, Julian Rachlin, Janine Jansen, Yuri Bashmet, Mischa Maisky, Itamar Golan | G Minor | 1 | 6A | 179 BPM | ||
Symphony No. 8 in G Minor, Op. 88, B. 163: III. Allegretto grazioso - Molto vivace | Antonín Dvořák, London Symphony Orchestra, Sir Colin Davis | G Major | 1 | 9B | 130 BPM | ||
Rapsodie espagnole, M.54: 4. Feria: Assez vif | Maurice Ravel, Martha Argerich, Nelson Freire, Peter Sadlo, Edgar Guggeis | C Major | 2 | 8B | 121 BPM | ||
Orfeo ed Euridice (Viennese version, 1762) (1997 Digital Remaster), Scene 2: Dance of the Blessed Spirits | Christoph Willibald Gluck, Philharmonia Orchestra, Riccardo Muti | C Major | 0 | 8B | 65 BPM |
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