"Goldberg Variations, BWV 988 (Arr. D. Sitkovetsky for String Trio): Variatio 7. a 1 o vero 2 Clav. - Variatio 8. a 2 Clav. - Variatio 9. Canone alla Terza. a 1 Clav." by Johann Sebastian Bach, Dmitry Sitkovetsky, Gérard Caussé, Mischa Maisky was released on July 1, 2016. The duration of Goldberg Variations, BWV 988 (Arr. D. Sitkovetsky for String Trio): Variatio 7. a 1 o vero 2 Clav. - Variatio 8. a 2 Clav. - Variatio 9. Canone alla Terza. a 1 Clav. is about 3 minutes long, at 3:07. Based on our data, "Goldberg Variations, BWV 988 (Arr. D. Sitkovetsky for String Trio): Variatio 7. a 1 o vero 2 Clav. - Variatio 8. a 2 Clav. - Variatio 9. Canone alla Terza. a 1 Clav." appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 4 out of 12 in Bach: Goldberg Variations, BWV 988 by Johann Sebastian Bach, Dmitry Sitkovetsky, Mischa Maisky, Gérard Caussé. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Goldberg Variations, BWV 988 (Arr. D. Sitkovetsky for String Trio): Variatio 7. a 1 o vero 2 Clav. - Variatio 8. a 2 Clav. - Variatio 9. Canone alla Terza. a 1 Clav. is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Goldberg Variations, BWV 988 (Arr. D. Sitkovetsky for String Trio): Variatio 7. a 1 o vero 2 Clav. - Variatio 8. a 2 Clav. - Variatio 9. Canone alla Terza. a 1 Clav. by Johann Sebastian Bach, Dmitry Sitkovetsky, Gérard Caussé, Mischa Maisky is Andante (at a walking pace), since this song has a tempo of 80 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Cello Concerto in G Minor, RV 416: III. Allegro | Antonio Vivaldi, Raphael Wallfisch, City of London Sinfonia, Nicholas Kraemer | G Minor | 1 | 6A | 135 BPM | ||
21 Hungarian Dances, WoO 1: Hungarian Dance No. 11 in D Minor | Seattle Symphony Orchestra, Johannes Brahms, Gerard Schwarz | A Minor | 0 | 8A | 76 BPM | ||
Vivaldi - Concerto in D Major "Grosso Mogul" RV 208: I Allegro | Antonio Vivaldi, Viktoria Mullova, Il Giardino Armonico, Giovanni Antonini | D♭ Major | 2 | 3B | 126 BPM | ||
Pelléas et Mélisande, Op.80: 3. Sicilienne | Gabriel Fauré, Academy of St. Martin in the Fields, Sir Neville Marriner | G Minor | 0 | 6A | 111 BPM | ||
Sinfonia melodica in C Major, TWV 50:2: VI. Chaconnette | Georg Philipp Telemann, Indianapolis Baroque Orchestra, Barthold Kuijken | A♭ Major | 3 | 4B | 140 BPM | ||
Violin Partita No. 3 in E Major, BWV 1006: I. Preludio | Johann Sebastian Bach, Hilary Hahn | A Major | 3 | 11B | 126 BPM | ||
Sonata in D Minor, K. 9 | Domenico Scarlatti, Ivo Pogorelich | D Minor | 0 | 7A | 94 BPM | ||
Nocturne No.19 In E Minor, Op.72 No.1 | Frédéric Chopin, Maurizio Pollini | B Major | 0 | 1B | 139 BPM | ||
Recorder Concerto in C Major, TWV 51:C1: IV. Tempo di Minuet | Georg Philipp Telemann, Dan Laurin, Arte dei Suonatori | B Major | 2 | 1B | 141 BPM | ||
Pavane, Op. 50 (Version for Piano) | Gabriel Fauré, Jorge Federico Osorio | F♯ Minor | 0 | 11A | 75 BPM |
Section: 0.7954909801483154
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