Franz Lehár, Nicolai Gedda, Willi Boskovsky, Bayerisches Symphonieorchester, Bayerisches Symphonieorchester München's 'Paganini · Operette in 3 Akten (Auszug) (1977 Digital Remaster): - Gern hab' ich die Frau'n geküßt (Paganini)' came out on June 9, 2006. The duration of Paganini · Operette in 3 Akten (Auszug) (1977 Digital Remaster): - Gern hab' ich die Frau'n geküßt (Paganini) is about 3 minutes long, at 3:22. Based on our data, "Paganini · Operette in 3 Akten (Auszug) (1977 Digital Remaster): - Gern hab' ich die Frau'n geküßt (Paganini)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 39 in the song's album "Nicolai Gedda - Champagner-Operette". In this album, this song's track order is #17. Furthermore, we believe that the track originated from Germany. Paganini · Operette in 3 Akten (Auszug) (1977 Digital Remaster): - Gern hab' ich die Frau'n geküßt (Paganini) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Paganini · Operette in 3 Akten (Auszug) (1977 Digital Remaster): - Gern hab' ich die Frau'n geküßt (Paganini) by Franz Lehár, Nicolai Gedda, Willi Boskovsky, Bayerisches Symphonieorchester, Bayerisches Symphonieorchester München having a BPM of 68 with a half-time of 34 BPM and a double-time of 136 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mozart: Le nozze di Figaro, K. 492, Act 2: Cavatina. "Porgi, amor" (Contessa) | Wolfgang Amadeus Mozart, Maria Callas, Nicola Rescigno, Orchestre De La Société Des Concerts Du Conservatoire | G Major | 3 | 9B | 83 BPM | ||
Samson et Dalila, Op.47, R. 288 / Act 2: "Mon coeur s'ouvre à ta voix" | Camille Saint-Saëns, Olga Borodina, Orchestra of the Welsh National Opera, Carlo Rizzi | D♭ Major | 1 | 3B | 86 BPM | ||
Werther: "Pourquoi me réveiller, ô souffle du printemps?" | Jules Massenet, Luciano Pavarotti, National Philharmonic Orchestra, Oliviero de Fabritiis | F♯ Minor | 2 | 11A | 156 BPM | ||
Als flotter Geist – Ja, das alles auf Ehr‘ - aus „Der Zigeunerbaron“ | Rudolf Schock | G Major | 4 | 9B | 83 BPM | ||
La Traviata - Act. Iii - Addio Del Passato | Renata Scotto | A Minor | 1 | 8A | 72 BPM | ||
Dorfschwalben aus Osterreich, Op. 164 | Josef Strauss, Wiener Symphoniker, Manfred Honeck | E♭ Major | 1 | 5B | 94 BPM | ||
The Merry Widow (Die lustige Witwe) / Act 2: Weibermarsch | Franz Lehár, Heinz Hoppe, Benno Kusche, Grosses Operetten Orchester, Franz Marszalek | D Major | 5 | 10B | 118 BPM | ||
La belle Hélène / Act 1: "Au Mont Ida, trois déesses" | Jacques Offenbach, Juan Diego Flórez, Orchestra del Teatro Comunale di Bologna, Roberto Abbado | F Major | 2 | 7B | 88 BPM | ||
Carmen, WD 31 / Act 1: "L'amour est un oiseau rebelle" | Georges Bizet, Marilyn Horne, Wiener Opernchor, Wiener Opernorchester, Henry Lewis | D Major | 2 | 10B | 129 BPM | ||
La Sonnambula (1997 Digital Remaster): Compagne, temiri amici ....Come per me sereno | Maria Callas, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin | A♭ Major | 1 | 4B | 113 BPM |
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