Franz Lehár, Heinz Hoppe, Benno Kusche, Grosses Operetten Orchester, Franz Marszalek made "The Merry Widow (Die lustige Witwe) / Act 2: Weibermarsch" available on January 1, 1968. The duration of The Merry Widow (Die lustige Witwe) / Act 2: Weibermarsch is about 3 minutes long, at 3:02. Based on our data, "The Merry Widow (Die lustige Witwe) / Act 2: Weibermarsch" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 9 out of 17 in Franz Lehár: Die lustige Witwe by Franz Lehár, Benno Kusche, Ingeborg Hallstein, Heinz Hoppe, Lucia Popp, Peter Alexander, Günter Kallmann Chor, Grosses Operetten Orchester, Franz Marszalek. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, The Merry Widow (Die lustige Witwe) / Act 2: Weibermarsch is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of The Merry Widow (Die lustige Witwe) / Act 2: Weibermarsch by Franz Lehár, Heinz Hoppe, Benno Kusche, Grosses Operetten Orchester, Franz Marszalek is Moderato (at a moderate speed), since this song has a tempo of 118 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
I Puritani / Act 2: Qui la voce sua soave - Live At Metropolitan Opera House, New York / 2011 | Vincenzo Bellini, Anna Netrebko, Metropolitan Opera Orchestra, Patrick Summers | E♭ Major | 0 | 5B | 79 BPM | ||
Der Freischütz, J. 277 / Act III: "Was gleicht wohl auf Erden dem Jägervergnügen?" | Carl Maria von Weber, Staatskapelle Dresden, Carlos Kleiber, MDR Leipzig Radio Chorus | D Major | 5 | 10B | 124 BPM | ||
Hoffmanns Erzählungen: Prologue: Aus dem Becher kommt der Trunk | Jacques Offenbach, Kölner Rundfunkchor, Kölner Rundfunk-Sinfonie-Orchester, Chor, Eugen Szenkar | C Major | 3 | 8B | 75 BPM | ||
The Gadfly, Op. 97: 3. Youth (Romance) | Dmitri Shostakovich, Erez Ofer, Philadelphia Orchestra, Riccardo Chailly | C Minor | 1 | 5A | 95 BPM | ||
Turandot, Act 2: "in Questa Reggia" | Birgit Nilsson | D Major | 3 | 10B | 85 BPM | ||
Il re pastore, K. 208, Act I Scene 3: Si spande al sole in faccia | Wolfgang Amadeus Mozart, Juan Diego Flórez, Riccardo Minasi | D Major | 4 | 10B | 121 BPM | ||
Massenet: Werther, Act 3: "Pourquoi me réveiller" | Jules Massenet, Kent Nagano, Anne Sofie von Otter, Jerry Hadley, Orchestre de l'Opéra de Lyon | A♭ Major | 0 | 4B | 181 BPM | ||
La Forza Del Destino 1862: La Vergine degli angeli (Act 2) | Inessa Galante | G Major | 1 | 9B | 76 BPM | ||
La Cenerentola / Act 1: "O figlie amabili" | Gioachino Rossini, Fernanda Costa, Gloria Banditelli, Cecilia Bartoli, Michele Pertusi, Coro del Teatro Comunale di Bologna, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly | F Major | 2 | 7B | 86 BPM | ||
Lohengrin / Act 3: "Treulich geführt ziehet dahin" | Richard Wagner, Bayreuth Festival Chorus, Bayreuth Festival Orchestra, Wolfgang Sawallisch | B♭ Major | 1 | 6B | 82 BPM |
Section: 0.9225437641143799
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