On 1987, the song "The Sleeping Beauty - Ballet, Op.66 (1987 - Remaster): No. 28 - Coda (Act III)" was released by London Symphony Orchestra, André Previn. With The Sleeping Beauty - Ballet, Op.66 (1987 - Remaster): No. 28 - Coda (Act III) being less than two minutes long, at 1:23, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 21 in the song's album "Tchaikovsky: The Nutcracker, Sleeping Beauty & Swan Lake (Highlights)". In this album, this song's track order is #12. Based on our statistics, The Sleeping Beauty - Ballet, Op.66 (1987 - Remaster): No. 28 - Coda (Act III)'s popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With The Sleeping Beauty - Ballet, Op.66 (1987 - Remaster): No. 28 - Coda (Act III) by London Symphony Orchestra, André Previn having a BPM of 141 with a half-time of 70 BPM and a double-time of 282 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
This song is in the music key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No.5 in C minor, Op.67: 1. Allegro con brio | Ludwig van Beethoven, London Symphony Orchestra, Antal Doráti | C Minor | 4 | 5A | 95 BPM | ||
Anitra's Dance | London Symphony Orchestra | E Minor | 0 | 9A | 143 BPM | ||
Sicilienne, Op. 78 | Gabriel Fauré, Harriet Krijgh, Kamilla Isanbaeva | E♭ Major | 1 | 5B | 123 BPM | ||
Finale | John Williams, London Symphony Orchestra | C Major | 3 | 8B | 105 BPM | ||
Peter and the Wolf, Op. 67 (Without Narration): Peter in the meadow | Sergei Prokofiev, Slovak Radio Symphony Orchestra, Ondrej Lenard | E♭ Major | 0 | 5B | 115 BPM | ||
Mission | Alexandre Desplat, London Symphony Orchestra | F Minor | 3 | 4A | 104 BPM | ||
Stabat Mater: 3. O quam tristis | Giovanni Battista Pergolesi, Margaret Marshall, Lucia Valentini Terrani, London Symphony Orchestra, Claudio Abbado, Leslie Pearson | G Minor | 1 | 6A | 80 BPM | ||
Carmen Suite No. 2: 2. Habanera | Georges Bizet, Orchestre de Paris, Semyon Bychkov | D Major | 0 | 10B | 134 BPM | ||
Tchaikovsky: Swan Lake, Op. 20, Act I: No. 4, Pas de trois | Pyotr Ilyich Tchaikovsky, André Previn, London Symphony Orchestra | B♭ Major | 1 | 6B | 119 BPM | ||
Pachelbel: Canon and Gigue in D Major: Canon | Johann Pachelbel, Sir Neville Marriner, Academy of St. Martin in the Fields | D Major | 2 | 10B | 84 BPM |
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