"Requiem: Pie Jesu - Live" by Gabriel Fauré, The Sixteen, Academy of St. Martin in the Fields had its release date on January 1, 2007. The duration of This song is about 3 minutes long, at 3:21. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 11 out of 14 in Fauré Requiem by The Sixteen, Academy of St. Martin in the Fields. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, Requiem: Pie Jesu - Live is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Requiem: Pie Jesu - Live by Gabriel Fauré, The Sixteen, Academy of St. Martin in the Fields is Moderato (at a moderate speed), since this song has a tempo of 112 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
När natten skänker frid | Karin Rehnqvist, Stockholms Musikgymnasium Chamber Choir, Helene Stureborg | D Minor | 0 | 7A | 139 BPM | ||
All-Night Vigil, Op. 52, TH 77 (Excerpts): No. 1, Bless My Soul, O Lord | Pyotr Ilyich Tchaikovsky, Latvian Radio Choir, Sigvards Klava | G Major | 1 | 9B | 78 BPM | ||
Requiem, Op.48: 4. Pie Jesu (I) | Gabriel Fauré, Catherine Bott, Orchestre Révolutionnaire et Romantique, John Eliot Gardiner | B♭ Major | 0 | 6B | 72 BPM | ||
Mother of God Here I Stand | John Taverner, Nottingham Cathedral Choir, Alex Patterson | F♯ Major | 0 | 2B | 84 BPM | ||
Die Entführung aus dem Serail, K.384: Overture | Wolfgang Amadeus Mozart, Sir Neville Marriner, Academy of St. Martin in the Fields | G Major | 2 | 9B | 77 BPM | ||
Liturgy of St. John Chrysostom for Chorus, Op. 31: I. "The Great Ektenia..." | Sergei Rachmaninoff, Valery Polyansky, State Symphony Capella of Russia | E Minor | 1 | 9A | 91 BPM | ||
Purcell : King Arthur : Act 3 "See, see, we assemble" [Chorus] Dance | William Christie | B♭ Minor | 2 | 3A | 114 BPM | ||
Tallis: Spem in Alium - 2. in Tribulatione Dimittis | The Tallis Scholars, Peter Phillips | B Minor | 2 | 10A | 78 BPM | ||
Requiem in D Minor, Op. 48: Pie Jesu | Gabriel Fauré, Grace Davidson, LSO Chamber Ensemble | B♭ Major | 0 | 6B | 89 BPM | ||
Mass in C minor, K.427 "Grosse Messe": 1. Kyrie | Wolfgang Amadeus Mozart, Kiri Te Kanawa, Academy of St. Martin in the Fields Chorus, Academy of St. Martin in the Fields, Sir Neville Marriner | C Minor | 1 | 5A | 83 BPM |