"Die Entführung aus dem Serail, K.384: Overture" by Wolfgang Amadeus Mozart, Sir Neville Marriner, Academy of St. Martin in the Fields had its release date on 1982. This song is about six minutes long, preciously at 5:42, making this song fairly long compared to other songs. The track order of this song in Wolfgang Amadeus Mozart, Sir Neville Marriner, Academy of St. Martin in the Fields's "Mozart: Overtures" album is number 5 out of 9. On top of that, United Kingdom appears to be the country where this track was created. Die Entführung aus dem Serail, K.384: Overture is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Die Entführung aus dem Serail, K.384: Overture by Wolfgang Amadeus Mozart, Sir Neville Marriner, Academy of St. Martin in the Fields to be Andante (at a walking pace) because the track has a tempo of 77 BPM, a half-time of 38BPM, and a double-time of 154 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
The music key of this track is G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sinfonia In G Major, Wq. 183/4, H. 666: III. Presto | Carl Philipp Emanuel Bach, Salzburg Chamber Philharmonic Orchestra | A Minor | 2 | 8A | 80 BPM | ||
Oberon, J.306: Ouvertüre | Carl Maria von Weber, Bavarian Radio Symphony Orchestra, Rafael Kubelik | D Major | 1 | 10B | 131 BPM | ||
Walton: Henry V: Touch Her Soft Lips and Part | William Walton, Sir Neville Marriner, Academy of St. Martin in the Fields | B♭ Major | 4 | 6B | 113 BPM | ||
Concerto Grosso in D Major, Op. 6, No. 5, HWV 323: III. Presto | George Frideric Handel, Academy of St. Martin in the Fields, Iona Brown | D Major | 3 | 10B | 78 BPM | ||
Piano Concerto No. 5 in F Major, Op. 103 "Egyptian": 3. Molto allegro | Camille Saint-Saëns, Pascal Rogé, Royal Philharmonic Orchestra, Charles Dutoit | A Major | 0 | 11B | 80 BPM | ||
Violin Concerto No. 1 in D Major, Op. 6: III. Rondo (Allegro spirituoso) | Niccolò Paganini, Hilary Hahn, Swedish Radio Symphony Orchestra, Eije Oue | D Major | 1 | 10B | 99 BPM | ||
Symphony in G Minor, Op. 6, No. 6, W. C12: I. Allegro | Johann Christian Bach, Concerto Köln | F♯ Minor | 1 | 11A | 87 BPM | ||
Dvořák: Czech Suite in D Major, Op. 39, B. 93: II. Polka | Antonín Dvořák, Czech Philharmonic Orchestra, Libor Pešek | D Major | 0 | 10B | 87 BPM | ||
Mozart: Horn Concerto No. 4 in E-Flat Major, K. 495: II. Romance. Andante cantabile | Wolfgang Amadeus Mozart, Radovan Vlatkovic, English Chamber Orchestra, Jeffrey Tate | B♭ Major | 0 | 6B | 84 BPM | ||
A Midsummer Night's Dream, Op. 61: Scherzo | Felix Mendelssohn, Philippe Herreweghe, Orchestre des Champs-Élysées | G Minor | 1 | 6A | 118 BPM |