"Trumpet Concerto in C Minor: II. Andante sostenuto, dolce amoroso" by Vladimir Peskin, Giuliano Sommerhalder, Westphalia New Philharmonic Orchestra, Heiko-Mathias Forster was released on July 2, 2010. With this song being about 5 minutes long, at 5:28, "Trumpet Concerto in C Minor: II. Andante sostenuto, dolce amoroso" by Vladimir Peskin, Giuliano Sommerhalder, Westphalia New Philharmonic Orchestra, Heiko-Mathias Forster is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 12 in the song's album "Romantic Virtuosity". In this album, this song's track order is #2. Trumpet Concerto in C Minor: II. Andante sostenuto, dolce amoroso is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Trumpet Concerto in C Minor: II. Andante sostenuto, dolce amoroso by Vladimir Peskin, Giuliano Sommerhalder, Westphalia New Philharmonic Orchestra, Heiko-Mathias Forster having a BPM of 70 with a half-time of 35 BPM and a double-time of 140 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
The music key of this track is A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Horn Sonata in F Major, Op. 17: II. Poco adagio, quasi andante | Ludwig van Beethoven, Albert Linder, Ingemar Bergfelt | C Minor | 1 | 5A | 75 BPM | ||
Roman Carnival Overture, Op. 9, H. 95 | Hector Berlioz, Charles Münch | A Major | 3 | 11B | 90 BPM | ||
Nielsen: Clarinet Concerto, Op. 57, FS 129: Allegro non troppo - | Carl Nielsen, Sabine Meyer, Sir Simon Rattle, Berliner Philharmoniker | F♯ Major | 1 | 2B | 57 BPM | ||
Tableaux de Provence: II. Cansoun per ma Mio | Paule Maurice, Dominic Childs, Simon Callaghan | G Major | 0 | 9B | 65 BPM | ||
Concert: I. Allegro moderato | Oskar Boehme, Sergej Solodovnik, Timofei Dokshitser | B♭ Major | 5 | 6B | 149 BPM | ||
Symphonic Dances, Op. 45: II. Andante con moto (Tempo di valse) | Sergei Rachmaninoff, Berliner Philharmoniker, Lorin Maazel | C Minor | 0 | 5A | 83 BPM | ||
Les Heures persanes (Persian Hours), Op. 65bis: IX. Aubade (Morning Song) | Charles Koechlin, Stuttgart Radio Symphony Orchestra, Heinz Holliger | B♭ Minor | 0 | 3A | 86 BPM | ||
Bass Tuba Concerto in F Minor: II. Romanza. Andante sostenuto | Øystein Baadsvik, Singapore Symphony Orchestra, Anne Manson | E Minor | 1 | 9A | 84 BPM | ||
Eleven Partite diverse sopra "Sei gegrüßet, Jesu gütig": Variation I | Johann Sebastian Bach, Ralph Downes | F Major | 2 | 7B | 66 BPM | ||
Jazz Suite No. 2: VII. Dance 2 | Dmitri Shostakovich, Russian State Symphony Orchestra, Dmitry Yablonsky | A Major | 2 | 11B | 109 BPM |
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