Luigi Denza, Satoshi Mizuguchi, Megumi Otsuka made "Funiculi, funicula" available on March 23, 2001. With Funiculi, funicula being less than two minutes long, at 1:44, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 9 out of 13 in Brilante by Satoshi Mizuguchi, Megumi Otsuka. Going off of the ISRC code of this track, we detected that the origin of this track is from Japan. Based on our statistics, Funiculi, funicula's popularity is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Funiculi, funicula by Luigi Denza, Satoshi Mizuguchi, Megumi Otsuka is Allegro (fast, quick, and bright), since this song has a tempo of 139 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Orfeo en los Infiernos-Obertura (De "Can Can") | The Oscar's Orchestra | D Major | 6 | 10B | 182 BPM | ||
Il valzer dell'organino | Leo Nucci, Salotto Ottocento Ensemble | F Major | 2 | 7B | 88 BPM | ||
Finiculi Finicula | Luigi Denza, Ronan Tynan | F Major | 3 | 7B | 125 BPM | ||
Strauss, Johann II: Die Fledermaus, Act 2: "Mein Herr Marquis" (Adele) | Johann Strauss II, Diana Damrau, David Charles Abell, Karl Huffier, Royal Liverpool Philharmonic Orchestra | G Major | 3 | 9B | 73 BPM | ||
Manon Lescaut: Donna Non Vidi Mai... | Mario del Monaco | B♭ Major | 2 | 6B | 85 BPM | ||
Faust: Choeur des soldats | Charles Gounod, Franz Bauer-Theussl, Choeurs de l'Opéra de Vienne, Wilhelm Loibner | A Major | 1 | 11B | 110 BPM | ||
Coppélia / Tableau 1: No. 1 Valse | Léo Delibes, Orchestre de la Suisse Romande, Richard Bonynge | C Minor | 1 | 5A | 75 BPM | ||
Symphony No. 9 in D Minor, Op. 125 "Choral": IV. Finale (Excerpt: Ode to Joy) | Ludwig van Beethoven, Riccardo Muti, Philadelphia Orchestra | D Major | 5 | 10B | 78 BPM | ||
Prince Igor, Act II: Polovtsian Dances, Dance II | Alexander Borodin, Choir of Mariinsky Theatre, Saint Petersburg, Paavo Järvi, Orchestre Philharmonique de Radio France | A Major | 1 | 11B | 75 BPM | ||
Madame Butterfly: "Addio fiorito asil" | Mario del Monaco | D♭ Major | 4 | 3B | 88 BPM |
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