Mario del Monaco's 'Manon Lescaut: Donna Non Vidi Mai...' came out on 1957. The duration of Manon Lescaut: Donna Non Vidi Mai... is about two minutes long, specifically at 2:54. This song does not appear to have any foul language. Manon Lescaut: Donna Non Vidi Mai...'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Mario del Monaco, Orchestra Sinfonica Di Milano's "I Grandi Tenori" album is number 9 out of 14. Manon Lescaut: Donna Non Vidi Mai... is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Manon Lescaut: Donna Non Vidi Mai... by Mario del Monaco to be Andante (at a walking pace) because the track has a tempo of 85 BPM, a half-time of 42BPM, and a double-time of 170 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La bohème: Musette | Ruggero Leoncavallo, Mario del Monaco, Orchestra Sinfonica Di Milano, Argeo Quadri | E♭ Minor | 3 | 2A | 84 BPM | ||
Core 'ngrato | Carolli -Cordiferro, Mario del Monaco | E♭ Major | 5 | 5B | 74 BPM | ||
Il barbiere di Siviglia / Act 1: No.6 Aria: "La calunnia è un venticello" | Gioachino Rossini, Nicolai Ghiaurov, Orchestra del Teatro San Carlo di Napoli, Silvio Varviso | C Major | 2 | 8B | 81 BPM | ||
Il Barbiere di Siviglia: La calunnia è un venticello | Gioachino Rossini, Samuel Ramey, Enzo Dara, Marilyn Horne, Leo Nucci, Paolo Barbacini, Riccardo Chailly, Orchestra Del Teatro Alla Scala, Milano | D Major | 1 | 10B | 93 BPM | ||
Lehár: Die lustige Witwe, Act 3: "Lippen schweigen" (Hanna, Count Danilo) | Franz Lehár, Diana Damrau, David Charles Abell, Royal Liverpool Philharmonic Orchestra | G Major | 2 | 9B | 78 BPM | ||
Fedora / Act 2: "Amor ti vieta" | Umberto Giordano, Mario del Monaco, The New Symphony Orchestra Of London, Alberto Erede | C Major | 3 | 8B | 78 BPM | ||
I pagliacci, Mario Del Monaco: Act II- " Ridi Pagliaccio" | Mario del Monaco | E Minor | 3 | 9A | 70 BPM | ||
Serse, HWV 40, Act I: Frondi tenere e belle ... Ombra mai fù | George Frideric Handel, Dmitri Hvorostovsky, Academy of St. Martin in the Fields, Sir Neville Marriner | E♭ Major | 1 | 5B | 94 BPM | ||
Ach so fromm | Fritz Wunderlich | F Major | 1 | 7B | 86 BPM | ||
Fausto: "Coro de los Soldados" | Slovak Philharmonic Orquesta y Coros | B♭ Minor | 2 | 3A | 92 BPM |
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