"Requiem, Op. 9: Kyrie" by Maurice Duruflé, The Choir of Magdalen College, Oxford, English Sinfonia, Martin Ford was released on 2008. The duration of Requiem, Op. 9: Kyrie is about 3 minutes long, at 3:05. Based on our data, "Requiem, Op. 9: Kyrie" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 2 out of 22 in Duruflé: Requiem Op. 9 by Maurice Duruflé, The Choir of Magdalen College, Oxford, English Sinfonia, Martin Ford. In terms of popularity, Requiem, Op. 9: Kyrie is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Requiem, Op. 9: Kyrie by Maurice Duruflé, The Choir of Magdalen College, Oxford, English Sinfonia, Martin Ford is Andante (at a walking pace), since this song has a tempo of 97 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Peer Gynt, Op. 23, Act V Scene 10: Pinsesalme: Velsignede morgen (Whitsun Hymn: Oh Blessed Morning) | Edvard Grieg, Svein Sturla Hungnes, Marita Sølberg, Kari Simonsen, Andrea Bræin Hovig, Bjorn Willberg Andersen, Ståle Bjørnhaug, Håkan Hagegård, Ingebjorg Kosmo, Kari Postma, Hilde Haraldsen Sveen, Ilkka Leppänen, Torbjorn Gulbrandsoy, Bergen Philharmonic Orchestra, Ole Kristian Ruud | E Minor | 0 | 9A | 68 BPM | ||
O Salutaris Hostia | Pierre de la Rue, Netherlands Chamber Choir, Paul Van Nevel | G Major | 1 | 9B | 135 BPM | ||
A Hymn to the Virgin | Benjamin Britten, Phoenix Chorale, Charles Bruffy, Kira Rugen, Amy Perciballi, Robert Comeaux, David Topping | E Major | 0 | 12B | 81 BPM | ||
Fünf Gesänge, Op. 104: III. Letztes Glück | Johannes Brahms, Cappella Amsterdam, Daniel Reuss | F Major | 2 | 7B | 101 BPM | ||
Three Shakespeare Songs: I. Full Fathom Five | Ralph Vaughan Williams, Simon Phipps, Swedish Chamber Choir | D Minor | 1 | 7A | 129 BPM | ||
Liturgical Chants: 4 Spiritual Songs: Alleluia | Valentin Silvestrov, Ieva Ezeriete, Karlis Rutentals, Dace Strautmane, Latvian Radio Choir, Sigvards Kļava | G Major | 0 | 9B | 128 BPM | ||
Mass, Op. 11, "Cum jubilo": Benedictus | Maurice Duruflé, Didier Henry, Michel Piquemal Vocal Ensemble, Marc Vieillefon, Eric Lebrun, Orchestre De La Cite, Michel Piquemal | F♯ Major | 2 | 2B | 95 BPM | ||
To be sung on the water, Op. 42, No. 2 | Samuel Barber, Conspirare, Craig Hella Johnson | C Minor | 0 | 5A | 83 BPM | ||
2 Choral songs, Op. 71: No. 1. The Shower | Edward Elgar, Cambridge University Chamber Choir, Christopher Robinson | G Major | 1 | 9B | 75 BPM | ||
Messe solennelle, Op. 16: I. Kyrie | Louis Vierne, Gloucester Cathedral Choir, Mark Lee, David Briggs | F Minor | 3 | 4A | 91 BPM |
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