Wolfgang Amadeus Mozart, Carol Vaness, Riccardo Muti, Wiener Philharmoniker's 'Don Giovanni, K.527, Act I, Scena terza: Ah, fuggi il traditor! (Donna Elvira)' came out on October 31, 1988. With Don Giovanni, K.527, Act I, Scena terza: Ah, fuggi il traditor! (Donna Elvira) being less than two minutes long, at 1:16, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Riccardo Muti's "Mozart: The Da Ponte Operas" album is number 17 out of 214. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, Don Giovanni, K.527, Act I, Scena terza: Ah, fuggi il traditor! (Donna Elvira) is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Don Giovanni, K.527, Act I, Scena terza: Ah, fuggi il traditor! (Donna Elvira) by Wolfgang Amadeus Mozart, Carol Vaness, Riccardo Muti, Wiener Philharmoniker to be Andante (at a walking pace) because the track has a tempo of 105 BPM, a half-time of 52BPM, and a double-time of 210 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
The music key of this track is D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Stabat Mater: Sancta mater, istud agas | Gioachino Rossini, Riccardo Muti, Orchestra del Maggio Musicale Fiorentino | A♭ Major | 1 | 4B | 82 BPM | ||
Così fan tutte, K.588 / Act 1: "Dammi un bacio" | Wolfgang Amadeus Mozart, Francisco Araiza, Thomas Allen, Karita Mattila, Anne Sofie von Otter, Elzbieta Szmytka, José van Dam, Academy of St. Martin in the Fields, Sir Neville Marriner | C Major | 1 | 8B | 132 BPM | ||
Die Walküre / Erster Aufzug: "Schläfst du, Gast?" | Richard Wagner, Régine Crespin, James King, Wiener Philharmoniker, Sir Georg Solti | E Minor | 2 | 9A | 164 BPM | ||
Die Fledermaus / Act 1: "Ach, ich darf nicht hin zu dir!" | Johann Strauss II, Kiri Te Kanawa, Edita Gruberova, Wiener Philharmoniker, André Previn | G Major | 1 | 9B | 75 BPM | ||
Madama Butterfly / Act 1: Gran ventura | Giacomo Puccini, Mirella Freni, Michel Sénéchal, Luciano Pavarotti, Robert Kerns, Wiener Philharmoniker, Herbert von Karajan | D♭ Major | 0 | 3B | 139 BPM | ||
Verdi: La forza del destino, Act 4 Scene 6: No. 17, Melodia, "Pace, pace, mio Dio!" (Leonora) | Giuseppe Verdi, Riccardo Muti, Orchestra Del Teatro Alla Scala, Milano | B♭ Minor | 1 | 3A | 82 BPM | ||
Don Pasquale, Act I Quarta Scena: 'Quel guardo il cavaliere' (Norina) | Gaetano Donizetti, Mirella Freni, Riccardo Muti, Philharmonia Orchestra | G Major | 1 | 9B | 111 BPM | ||
Nabucco / Act 1: Lo vedeste? | Giuseppe Verdi, Lucia Popp, Yevgeny Nesterenko, Orchester der Deutschen Oper Berlin, Giuseppe Sinopoli, Chor der Deutschen Oper Berlin | E♭ Major | 4 | 5B | 171 BPM | ||
Die Zauberflöte - Singspiel in two acts K620 (1987 Digital Remaster), Act I: Zu Hilfe! Zu Hilfe! (Tamino, Damen) | Wolfgang Amadeus Mozart, Bavarian State Orchestra, Wolfgang Sawallisch | G Major | 1 | 9B | 76 BPM | ||
La Cenerentola / Act 1: "Scegli la sposa" - "Come un'ape" - "Prence..." "Sire" | Gioachino Rossini, Alessandro Corbelli, Fernanda Costa, Gloria Banditelli, Enzo Dara, William Matteuzzi, Coro del Teatro Comunale di Bologna, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly | A Major | 2 | 11B | 139 BPM |
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