"Verdi: La forza del destino, Act 4 Scene 6: No. 17, Melodia, "Pace, pace, mio Dio!" (Leonora)" by Giuseppe Verdi, Riccardo Muti, Orchestra Del Teatro Alla Scala, Milano was released on 1986. With this song being about 5 minutes long, at 5:11, "Verdi: La forza del destino, Act 4 Scene 6: No. 17, Melodia, "Pace, pace, mio Dio!" (Leonora)" by Giuseppe Verdi, Riccardo Muti, Orchestra Del Teatro Alla Scala, Milano is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. This song is part of Verdi: La forza del destino by Giuseppe Verdi, Plácido Domingo, Riccardo Muti. The song's track number on the album is #7 out of 52 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. Verdi: La forza del destino, Act 4 Scene 6: No. 17, Melodia, "Pace, pace, mio Dio!" (Leonora) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Verdi: La forza del destino, Act 4 Scene 6: No. 17, Melodia, "Pace, pace, mio Dio!" (Leonora) by Giuseppe Verdi, Riccardo Muti, Orchestra Del Teatro Alla Scala, Milano has a tempo of 82 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Verdi: La forza del destino, Act 4 Scene 6: No. 17, Melodia, "Pace, pace, mio Dio!" (Leonora) being at 82 BPM, the half-time would be 41 BPM with a double-time of 164 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 3/4.
This song is in the music key of B♭ Minor. Which also means that the camelot key for this song is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Pagliacci / Act 2: "Pagliaccio, mio marito" | Ruggero Leoncavallo, Mirella Freni, Vincenzo Bello, National Philharmonic Orchestra, Giuseppe Patanè | C Major | 0 | 8B | 110 BPM | ||
Pagliacci / Act 2: "E dessa! Dei, come è bella" | Ruggero Leoncavallo, Ingvar Wixell, Mirella Freni, Vincenzo Bello, National Philharmonic Orchestra, Giuseppe Patanè | A Major | 2 | 11B | 77 BPM | ||
Bellini: La sonnambula, Act 2: "Ah! non credea mirarti" (Amina, Elvino) | Vincenzo Bellini, Maria Callas, Nicola Monti, Orchestra Del Teatro Alla Scala, Milano | B♭ Major | 1 | 6B | 91 BPM | ||
Rigoletto / Act 3: "V'ho ingannato" - "Lassù... in cielo" | Giuseppe Verdi, Joan Sutherland, Sherrill Milnes, London Symphony Orchestra, Richard Bonynge | D♭ Major | 2 | 3B | 82 BPM | ||
Pagliacci / Act 1: "Un tal gioco, credetemi" | Ruggero Leoncavallo, Luciano Pavarotti, Daniela Dessi, Westminster Symphonic Choir, Philadelphia Boys Choir, Philadelphia Orchestra, Riccardo Muti | F Major | 2 | 7B | 175 BPM | ||
Eugene Onegin, Op. 24, TH. 5 / Act I: Scene and Aria. "Zdyes on, zdyes on, Yevgeni!" | Pyotr Ilyich Tchaikovsky, Mirella Freni, Thomas Allen, Staatskapelle Dresden, James Levine | E Minor | 2 | 9A | 78 BPM | ||
Aida: Danza di piccoli schiavi mori | Giuseppe Verdi, Plácido Domingo, Metropolitan Opera Orchestra, Samuel Ramey, Aprile Millo, James Levine, Dolora Zajick, James Morris | A♭ Major | 1 | 4B | 81 BPM | ||
Cavalleria rusticana: Introduzione | Pietro Mascagni, Orchestra Del Teatro Alla Scala, Milano, Herbert von Karajan, Coro Del Teatro Alla Scala Di Milano | C Major | 3 | 8B | 166 BPM | ||
Eugene Onegin, Op. 24, TH. 5 / Act I: Scene and Aria. "Kak ya lyublyu pod zvuki pesen etikh" - "Uzh kak po mostu, mostochku" | Pyotr Ilyich Tchaikovsky, Mirella Freni, Anne Sofie von Otter, Staatskapelle Dresden, James Levine | E Minor | 2 | 9A | 78 BPM | ||
Norma (1997 Digital Remaster), ACT 1, Scene 1: Odi?... I suoi riti a compiere (Flavio/Coro/Pollione) | Vincenzo Bellini, Piero de Palma, Franco Corelli, Coro Del Teatro Alla Scala Di Milano, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin, Orchestra Del Teatro Alla Scala Di Milan | E♭ Major | 2 | 5B | 129 BPM |
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