Igor Stravinsky, Leonard Bernstein, New York Philharmonic made "Pulcinella Suite for Chamber Orchestra - Music after Pergolesi: IIIc. Andantino" available on 1947. With Pulcinella Suite for Chamber Orchestra - Music after Pergolesi: IIIc. Andantino being less than two minutes long, at 1:29, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 8 out of 102 in Bernstein Conducts Stravinsky by Igor Stravinsky, Leonard Bernstein. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. The popularity of Pulcinella Suite for Chamber Orchestra - Music after Pergolesi: IIIc. Andantino is currently unknown right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Pulcinella Suite for Chamber Orchestra - Music after Pergolesi: IIIc. Andantino by Igor Stravinsky, Leonard Bernstein, New York Philharmonic is Vivace (lively and fast), since this song has a tempo of 171 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Schoenberg: Verklärte Nacht, Op. 4: V. Adagio, molto tranquilo | Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra, Charles Pikler, John Sharp, Joseph Golan, Li-Kuo Chang, Ruben Gonzalez, Stephen Balderston | E Minor | 1 | 9A | 125 BPM | ||
Le roi s'amuse: Madrigal | Léo Delibes, Slovak Philharmonic, Ondrej Lenard | A Major | 0 | 11B | 82 BPM | ||
String Quartet No. 12 In F Major, Op. 96, B.179 - "American": 4. Finale (Vivace ma non troppo) | Antonín Dvořák, Emerson String Quartet | F Major | 1 | 7B | 84 BPM | ||
Violin Concerto in D Minor, Op. 47: II. Adagio di molto | Jean Sibelius, Anne-Sophie Mutter, Staatskapelle Dresden, André Previn | B♭ Major | 1 | 6B | 173 BPM | ||
Peter Grimes: 4 Sea Interludes, Op. 33a: III. Moonlight | Benjamin Britten, London Symphony Orchestra, Steuart Bedford | E♭ Major | 0 | 5B | 84 BPM | ||
4 Pieces, Op. 51: 2. Prélude | Alexander Scriabin, Evgeny Kissin | F Major | 0 | 7B | 75 BPM | ||
Quatuor pour la fin du Temps: IV. Intermède | Olivier Messiaen, Martin Fröst | F♯ Major | 2 | 2B | 96 BPM | ||
Ravel: String Quartet, M. 35: III. Très lent | Maurice Ravel, Quatuor Ébène | B Major | 0 | 1B | 80 BPM | ||
Tristan und Isolde, WWV 90: Prelude To Act I | Richard Wagner, Gewandhausorchester Leipzig, Andris Nelsons | A Minor | 1 | 8A | 79 BPM | ||
Symphonie fantastique, Op. 14: II. Un bal | Hector Berlioz, Swedish Radio Symphony Orchestra, Daniel Harding | A Major | 1 | 11B | 107 BPM |
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