Lutoslawski : Symphony No.3 : VII Tempo I - Witold Lutosławski, Daniel Barenboim, Chicago Symphony Orchestra Information

Acousticness: 92%
Danceability: 23%
Energy: 19%
Instrumentalness: 80%
Liveness: 74%
Loudness: 56%
Speechiness: 7%
Valence: 16%
Popularity: 3%
Loudness: -26.167 dB

Summary

"Lutoslawski : Symphony No.3 : VII Tempo I" by Witold Lutosławski, Daniel Barenboim, Chicago Symphony Orchestra was released on March 1, 1993. With this song being about 5 minutes long, at 4:48, "Lutoslawski : Symphony No.3 : VII Tempo I" by Witold Lutosławski, Daniel Barenboim, Chicago Symphony Orchestra is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Witold Lutosławski, Daniel Barenboim, Chicago Symphony Orchestra's "Lutoslawsky : Concerto for Orchestra & Symphony No.3" album is number 10 out of 13. On top of that, France appears to be the country where this track was created. In terms of popularity, Lutoslawski : Symphony No.3 : VII Tempo I is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Lutoslawski : Symphony No.3 : VII Tempo I BPM

We consider the tempo marking of Lutoslawski : Symphony No.3 : VII Tempo I by Witold Lutosławski, Daniel Barenboim, Chicago Symphony Orchestra to be Moderato (at a moderate speed) because the track has a tempo of 113 BPM, a half-time of 56BPM, and a double-time of 226 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 3/4.

Lutoslawski : Symphony No.3 : VII Tempo I Key

The music key of this track is D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Glück: I. Andante	Siegfried Wagner, Rundfunk-Sinfonieorchester Frankfurt, Dimitrij Kitajenko	A Minor	0	8A	86 BPM
5 Pieces for String Quartet (Arr. for Orchestra by Manfred Honeck & Tomás Ille): No. 1, Alla valse Viennese. Allegro	Erwin Schulhoff, Pittsburgh Symphony Orchestra, Manfred Honeck	A♭ Major	0	4B	95 BPM
Suite, Op. 157b: II. Divertissement	Darius Milhaud, Jean-Marc Fessard, Frédéric Pélassy, Eliane Reyes	F Major	0	7B	178 BPM
Piano Concerto No. 2 in G Minor, Op. 16: II. Scherzo. Vivace	Sergei Prokofiev, Andrei Korobeinikov, Ural Philharmonic Orchestra, Dmitry Liss	B Minor	2	10A	124 BPM
5 Pezzi facili: No. 3. Pavana	Nino Rota, Mario Carbotta, Carlo Balzaretti	G Major	2	9B	101 BPM
Belshazzar's Feast, JS 48: Act I: Alla marcia	Jean Sibelius, Turku Philharmonic Orchestra, Leif Segerstam	A Major	2	11B	69 BPM
Sonatina	Morton Feldman, Marilyn Nonken, Stephen Marotto	B♭ Minor	0	3A	164 BPM
Violin Concerto: I. Praeludium	György Ligeti, Benjamin Schmid, Finnish Radio Symphony Orchestra, Hannu Lintu	C Major	1	8B	138 BPM
Music for Strings, Percussion and Celesta, Sz. 106: II. Allegro	Béla Bartók, Chicago Symphony Orchestra, Sir Georg Solti	D♭ Major	2	3B	142 BPM
Notturno for Strings and Harp: Lento	Irving Fine, Gerard Schwarz, New York Chamber Symphony	D Major	2	10B	147 BPM

ISRC: FRZ209204807
Label: L-M Records/RCA Records

Section: 0.7677817344665527

End: 0.7723901271820068