"Totenklage aus dem Festspiel "Olympische Jugend"" by Orchester Der Staatsoper Berlin, Werner Egk was released on June 30, 1988. Since Totenklage aus dem Festspiel "Olympische Jugend" is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 12 out of 102 in Entartete Musik - Eine Tondokumentation zur Düsseldorfer Ausstellung von 1938 by Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Based on our statistics, Totenklage aus dem Festspiel "Olympische Jugend"'s popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Totenklage aus dem Festspiel "Olympische Jugend" by Orchester Der Staatsoper Berlin, Werner Egk is Allegro (fast, quick, and bright), since this song has a tempo of 132 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song has a musical key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Turandot, Act 2: "in Questa Reggia" | Birgit Nilsson | D Major | 3 | 10B | 85 BPM | ||
Fedora / Act 2: "Amor ti vieta" | Umberto Giordano, Luciano Pavarotti, National Philharmonic Orchestra, Oliviero de Fabritiis | C Major | 2 | 8B | 90 BPM | ||
Inbrunst im Herzen (Tannhäuser) | Max Lorenz, Orchester Der Staatsoper Berlin | F Major | 3 | 7B | 79 BPM | ||
La Bohème / Act 2: "Quando men vo" | Giacomo Puccini, Renée Fleming, London Philharmonic Orchestra, Sir Charles Mackerras | F♯ Minor | 1 | 11A | 88 BPM | ||
Cavalleria rusticana: "Beato voi, compar Alfio...Inneggiamo, Il Signor" | Pietro Mascagni, Ida Bormida, Piero Cappuccilli, Julia Varady, The London Opera Chorus, National Philharmonic Orchestra, Gianandrea Gavazzeni | G Major | 2 | 9B | 68 BPM | ||
Verachtet mir die Meister nicht (Die Meistersinger von Nürnberg) | Friedrich Schorr, Orchester Der Staatsoper Berlin | C Major | 3 | 8B | 98 BPM | ||
Morgenlich leuchtend (Die Meistersinger von Nürnberg) | Ludwig Suthaus, Maria Müller, Orchester Der Staatsoper Berlin, Ludwig Hofmann, Jaro Prohaska | C Major | 4 | 8B | 85 BPM | ||
Serse, HWV 40, Act I: Frondi tenere e belle ... Ombra mai fù | George Frideric Handel, Dmitri Hvorostovsky, Academy of St. Martin in the Fields, Sir Neville Marriner | E♭ Major | 1 | 5B | 94 BPM | ||
Recitative & Aria:Temerari....Come Scoglio (Cosi Fan Tutte, Act I) | Elisabeth Schwarzkopf, Karl Böhm, Philharmonia Orchestra | B♭ Major | 1 | 6B | 138 BPM | ||
Darf Ich Um Den Nächsten Tango Bitten? | Richard Tauber, Orchester Der Staatsoper Berlin, Ltg.: Frieder Weißmann | F♯ Minor | 1 | 11A | 90 BPM |
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