"Inbrunst im Herzen (Tannhäuser)" by Max Lorenz, Orchester Der Staatsoper Berlin was released on August 22, 2006. Since Inbrunst im Herzen (Tannhäuser) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Max Lorenz's "Max Lorenz - The complete Electrola Recordings" album is number 29 out of 33. Inbrunst im Herzen (Tannhäuser) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Inbrunst im Herzen (Tannhäuser) by Max Lorenz, Orchester Der Staatsoper Berlin to be Andante (at a walking pace) because the track has a tempo of 79 BPM, a half-time of 40BPM, and a double-time of 158 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Hoffmanns Erzählungen: Prologue: Aus dem Becher kommt der Trunk | Jacques Offenbach, Kölner Rundfunkchor, Kölner Rundfunk-Sinfonie-Orchester, Chor, Eugen Szenkar | C Major | 3 | 8B | 75 BPM | ||
Alceste, Wq. 44 (Excerpts): Vivre sans toi | Christoph Willibald Gluck, Bavarian Radio Symphony Orchestra, Serge Baudo, Nicolai Gedda, Jessye Norman | G Minor | 2 | 6A | 76 BPM | ||
Salome, Op. 54, TrV 215: Scene 4: Ach, warum hast du mich nicht angesehen? (Salome) | Richard Strauss, Max Lorenz, Margarete Klose, Inge Borkh, Ferdinand Frantz, Franz Fehringer, Christa Ludwig, Herbert Hess, Oskar Wittazscheck, Aage Poulsen, Frithjof Sentpaul, Georg Stern, Ludwig Welter, August Heimpel, Hr-sinfonieorchester, Kurt Schröder | E Minor | 1 | 9A | 87 BPM | ||
Sibelius: Symphony No. 5 in E-Flat Major, Op. 82: III. Allegro molto (1915 Version) | Jean Sibelius, San Francisco Symphony, Esa-Pekka Salonen | E♭ Major | 1 | 5B | 76 BPM | ||
Messa di Gloria: IX. Cum Sancto Spiritu | Giacomo Puccini, Gustavo Gimeno, Orchestre Philharmonique Du Luxembourg, Pablo Larraz, Orfeó Català | C Major | 2 | 8B | 122 BPM | ||
Pelleas et Melisande, Op. 80 (arr. C. Koechlin): I. Prelude - Andante molto moderato | Charles Koechlin, Gabriel Fauré, Sarah Wegener, Stuttgart Radio Symphony Orchestra, Heinz Holliger | E Major | 1 | 12B | 94 BPM | ||
Gotterdammerung (Twilight of the Gods), Act II Scene 3: Act II Scene 3: Hoiho! Hoihohoho! (Hagen, Chorus) | Richard Wagner, Max Lorenz, Hermann Uhde, Gustav Neidlinger, Josef Greindl, Astrid Varnay, Martha Mödl, Ruth Siewert, Melanie Bugarinovich, Erika Zimmermann, Hanna Ludwig, Hertha Töpper, Bayreuth Festival Chorus, Bayreuth Festival Orchestra, Joseph Keilberth | D♭ Major | 4 | 3B | 116 BPM | ||
Un ballo in maschera / Act 1: "Posa in pace" | Giuseppe Verdi, Goran Simic, Kurt Rydl, Wiener Philharmoniker, Herbert von Karajan, Vienna State Opera Chorus | B Major | 0 | 1B | 123 BPM | ||
A Symphonic Mass: I. Kyrie | George Lloyd, Bournemouth Symphony Orchestra, Brighton Festival Chorus | G Major | 3 | 9B | 131 BPM | ||
L'Arlesienne Suite No. 2: IV. Farandole (arr. E. Guiraud for orchestra) | Ernest Guiraud, Georges Bizet, Leningrad Philharmonic Orchestra, Evgeny Mravinsky | E Major | 3 | 12B | 83 BPM |
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