"Salome, Op. 54, TrV 215: Scene 4: Ach, warum hast du mich nicht angesehen? (Salome)" by Richard Strauss, Max Lorenz, Margarete Klose, Inge Borkh, Ferdinand Frantz, Franz Fehringer, Christa Ludwig, Herbert Hess, Oskar Wittazscheck, Aage Poulsen, Frithjof Sentpaul, Georg Stern, Ludwig Welter, August Heimpel, Hr-sinfonieorchester, Kurt Schröder was released on February 1, 2015. The duration of Salome, Op. 54, TrV 215: Scene 4: Ach, warum hast du mich nicht angesehen? (Salome) is about 3 minutes long, at 3:00. Based on our data, "Salome, Op. 54, TrV 215: Scene 4: Ach, warum hast du mich nicht angesehen? (Salome)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 38 in the song's album "Strauss: Salome". In this album, this song's track order is #7. Furthermore, we believe that the track originated from United States. Salome, Op. 54, TrV 215: Scene 4: Ach, warum hast du mich nicht angesehen? (Salome) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Salome, Op. 54, TrV 215: Scene 4: Ach, warum hast du mich nicht angesehen? (Salome) by Richard Strauss, Max Lorenz, Margarete Klose, Inge Borkh, Ferdinand Frantz, Franz Fehringer, Christa Ludwig, Herbert Hess, Oskar Wittazscheck, Aage Poulsen, Frithjof Sentpaul, Georg Stern, Ludwig Welter, August Heimpel, Hr-sinfonieorchester, Kurt Schröder having a BPM of 87 with a half-time of 44 BPM and a double-time of 174 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
This song has a musical key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Don Quixote, Op. 35: Theme - Don Quixote, the Knight of the Sorrowful Countenance | Richard Strauss, Fritz Reiner | F Major | 0 | 7B | 63 BPM | ||
Appalachian Spring: III. Moderato | Aaron Copland, Leonard Bernstein, New York Philharmonic | F♯ Major | 0 | 2B | 177 BPM | ||
Symphony in D Minor, FWV 48 (Remastered): II. Allegretto | César Franck, Pierre Monteux, Chicago Symphony Orchestra | E♭ Minor | 0 | 2A | 72 BPM | ||
Liebeslied "Widmung, von Robert Schumann", S. 566 (After Myrthen, Op. 25/1) | Franz Liszt, Angela Hewitt | G Major | 0 | 9B | 63 BPM | ||
Symphony No. 4 in F Minor, Op. 36: IV. Finale. Allegro con fuoco | Pyotr Ilyich Tchaikovsky, Gianandrea Noseda, London Symphony Orchestra | F Major | 3 | 7B | 76 BPM | ||
Symphony No. 6 In B Minor, Op. 74, TH.30: 3. Allegro molto vivace | Pyotr Ilyich Tchaikovsky, New York Philharmonic, Leonard Bernstein | G Major | 2 | 9B | 139 BPM | ||
Symphony No. 4 in A Major, Op. 90 "Italian": Symphony No. 4 in A Major, Op. 90 "Italian": IV. Presto and Finale. Saltarello | Felix Mendelssohn, Freiburger Barockorchester, Pablo Heras-Casado | E Minor | 1 | 9A | 100 BPM | ||
Sechs Lieder, Op. 37, TrV 187: 3. Meinem Kinde | Richard Strauss, Jessye Norman, Gewandhausorchester, Kurt Masur | D♭ Major | 1 | 3B | 181 BPM | ||
L’arlésienne Suite No. 1, Op. 23bis, WD 40: II. Menuet | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | A♭ Major | 0 | 4B | 94 BPM | ||
Elektra: Iv. Ich kann nicht sitzen… | Richard Strauss, Hugo von Hofmannsthal, Anita Soldh, Laila Andersson-palme, Royal Swedish Opera Orchestra, Siegfried Köhler | F♯ Major | 1 | 2B | 88 BPM |
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