"Symphony in D Minor, FWV 48 (Remastered): II. Allegretto" by César Franck, Pierre Monteux, Chicago Symphony Orchestra was released on 1961. Symphony in D Minor, FWV 48 (Remastered): II. Allegretto appears to be safe for all ages as it is not explicit. The song is number 2 out of 3 in Franck: Symphony in D Minor by César Franck, Pierre Monteux. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Symphony in D Minor, FWV 48 (Remastered): II. Allegretto is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Symphony in D Minor, FWV 48 (Remastered): II. Allegretto by César Franck, Pierre Monteux, Chicago Symphony Orchestra is Adagio (slowly with great expression), since this song has a tempo of 72 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
E♭ Minor is the music key of this track. Because this track belongs in the E♭ Minor key, the camelot key is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Planets, Op. 32: 4. Jupiter, The Bringer Of Jollity | Gustav Holst, Chicago Symphony Orchestra, James Levine | G Minor | 4 | 6A | 137 BPM | ||
Symphony No.2 In D, Op.73: 4. Allegro con spirito | Johannes Brahms, Berliner Philharmoniker, Herbert von Karajan | D Major | 2 | 10B | 102 BPM | ||
Sibelius : Symphony No.5 in E flat major Op.82 : II Andante mosso, quasi allegretto | Jean Sibelius, Sakari Oramo, City Of Birmingham Symphony Orchestra | G Major | 0 | 9B | 142 BPM | ||
Symphony No. 7 In E Minor: 2. Nachtmusik: Allegro moderato | Gustav Mahler, Chicago Symphony Orchestra, Claudio Abbado | F Major | 0 | 7B | 83 BPM | ||
Suite Oriental (Suite Árabe): II. Serenata | Enrique Granados, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | G Major | 0 | 9B | 133 BPM | ||
Also sprach Zarathustra, Op. 30, TrV 176: Von der großen Sehnsucht | Richard Strauss, Berliner Philharmoniker, Herbert von Karajan | G Major | 1 | 9B | 105 BPM | ||
Feu d'artifice, Op. 4 | Igor Stravinsky, Chicago Symphony Orchestra, Pierre Boulez | A♭ Major | 0 | 4B | 83 BPM | ||
Symphony No. 2 in B Minor: 4. Finale: Allegro | Alexander Borodin, London Symphony Orchestra, Jean Martinon | F♯ Major | 2 | 2B | 143 BPM | ||
Schoenberg: 5 Orchestral Pieces, Op. 16: No. 1 Vorgefühle (Forebodings) | Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra | D♭ Major | 3 | 3B | 75 BPM | ||
Romeo and Juliet Suite: Masks | Sergei Prokofiev, Chicago Symphony Orchestra, Riccardo Muti | B♭ Major | 1 | 6B | 161 BPM |
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