- BPM
- 181
- Key
- D♭ Major
- Camelot
- 3B
Sechs Lieder, Op. 37, TrV 187: 3. Meinem Kinde - Richard Strauss, Jessye Norman, Gewandhausorchester, Kurt Masur Information
- Acousticness
- 98%
- Danceability
- 13%
- Energy
- 5%
- Instrumentalness
- 4%
- Liveness
- 10%
- Loudness
- 59%
- Speechiness
- 5%
- Valence
- 8%
- Popularity
- 6%
- Loudness
- -24.402 dB
Summary
"Sechs Lieder, Op. 37, TrV 187: 3. Meinem Kinde" by Richard Strauss, Jessye Norman, Gewandhausorchester, Kurt Masur was released on January 1, 1983. The duration of Sechs Lieder, Op. 37, TrV 187: 3. Meinem Kinde is about two minutes long, specifically at 2:38. This song does not appear to have any foul language. Sechs Lieder, Op. 37, TrV 187: 3. Meinem Kinde's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 10 in the song's album "Strauss, R.: Four Last Songs, etc.". In this album, this song's track order is #9. Furthermore, we believe that the track originated from Netherlands. The popularity of Sechs Lieder, Op. 37, TrV 187: 3. Meinem Kinde is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Sechs Lieder, Op. 37, TrV 187: 3. Meinem Kinde BPM
With Sechs Lieder, Op. 37, TrV 187: 3. Meinem Kinde by Richard Strauss, Jessye Norman, Gewandhausorchester, Kurt Masur having a BPM of 181 with a half-time of 90 BPM and a double-time of 362 BPM, we would consider this track to have a Presto (very, very fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 3/4.
Sechs Lieder, Op. 37, TrV 187: 3. Meinem Kinde Key
This song has a musical key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Tristan und Isolde / Act 2: "O sink hernieder, Nacht der Liebe" | Richard Wagner, Deborah Voigt, Thomas Moser, Vienna State Opera Orchestra, Christian Thielemann | A♭ Major | 1 | 4B | 67 BPM | |
 | Elektra: Xx. Orest! | Hugo von Hofmannsthal, Richard Strauss, Laila Andersson-palme, Royal Swedish Opera Orchestra, Siegfried Köhler | A♭ Major | 2 | 4B | 106 BPM | |
 | Requiem, Op.48: 4. Pie Jesu (I) | Gabriel Fauré, Catherine Bott, Orchestre Révolutionnaire et Romantique, John Eliot Gardiner | B♭ Major | 0 | 6B | 72 BPM | |
 | The Mountain Thrall, Op. 32 | Edvard Grieg, Carole Farley, London Philharmonic Orchestra, José Serebrier | A♭ Major | 1 | 4B | 72 BPM | |
 | Palestrina, WoO17, Pt. 3, Scene 1: Wie lange sie bleiben (Choristers/Palestrina/Ighino) | Hans Pfitzner, Staatskapelle Dresden, Peter Schreier, Carola Nossek, Heinz Reeh, Olaf Bär, Peter Menz, Peter Bindszus, Dario Süss | F♯ Major | 1 | 2B | 83 BPM | |
 | Thomas: Act I: Soma, Soma … (Chorus, Thomas) | Einojuhani Rautavaara, Jorma Hynninen, Peter Lindroos, Matti Piipponen, Sini Rautavaara, Marko Putkonen, Antti Suhonen, Anssi Hirvonen, Hannu Sokka, Jaakko Hietikko, Anitta Juhala-Jolkkonen, Joensuu Music School Choir, Savonlinna Festival Opera Choir, Joensuu City Orchestra, Pekka Haapasalo | A♭ Minor | 2 | 1A | 168 BPM | |
 | The Kiss (Hubicka) - Opera in 2 Acts: Lullaby | Bedřich Smetana, Renée Fleming, Philharmonia Orchestra, Sebastian Lang-Lessing | A Major | 1 | 11B | 75 BPM | |
 | Symphony No. 1 in E flat, Op. 28: 3. Quasi fantasia (Grave) | Max Bruch, Gewandhausorchester, Kurt Masur | E♭ Minor | 0 | 2A | 77 BPM | |
 | Fauré: 2 Mélodies, Op. 1: No. 2, Mai | Gabriel Fauré, Dame Janet Baker, Gerald Moore | D♭ Major | 1 | 3B | 174 BPM | |
 | Offenbach: Les Contes d'Hoffmann, Act 4: "Belle nuit, ô nuit d'amour" (Barcarolle) [Nicklausse, Giulietta, Chorus] | Jacques Offenbach, Sylvain Cambreling, Ann Murray, Jessye Norman, Orchestre De L'Opéra National Du Théatre Royal De La Monnaie, Bruxelles | D Major | 1 | 10B | 81 BPM |
- ISRC
- NLA508126209
- Label
- L-M Records/RCA Records
Section: 0.7509872913360596
End: 0.7544903755187988