"Coronation Anthem - The King Shall Rejoice, HWV260: Glory and worship" by The Sixteen was released on February 2, 2009. The duration of Coronation Anthem - The King Shall Rejoice, HWV260: Glory and worship is about two minutes long, specifically at 2:52. This song does not appear to have any foul language. Coronation Anthem - The King Shall Rejoice, HWV260: Glory and worship's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in The Sixteen's "Handel: Coronation Anthems" album is number 13 out of 20. Coronation Anthem - The King Shall Rejoice, HWV260: Glory and worship is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Coronation Anthem - The King Shall Rejoice, HWV260: Glory and worship by The Sixteen to be Adagio (slowly with great expression) because the track has a tempo of 71 BPM, a half-time of 36BPM, and a double-time of 142 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Miserere mei Deus (psaume L) – à 8, alternatim | Andrés Barea, Paul Van Nevel, Huelgas Ensemble | A♭ Major | 2 | 4B | 83 BPM | ||
Like as the Hart | Herbert Howells, The Sixteen, Harry Christophers | C Major | 0 | 8B | 82 BPM | ||
Cantata II: Ad genua (To the Knees): Salve Jesu - Tenor | The Sixteen | D Major | 0 | 10B | 73 BPM | ||
Cantata V: Ad pectus (To the Breast): Ave, verum templum - Bass | The Sixteen | A♭ Minor | 1 | 1A | 65 BPM | ||
Messe solennelle pour deux orgues et choeur, Op. 16: III. Sanctus | Louis Vierne, Michel Bouvard | E Major | 3 | 12B | 69 BPM | ||
Se Per Havervi, Oime | Nordic Chamber Choir - Nicol Matt | D♭ Major | 0 | 3B | 92 BPM | ||
The Lamentations of Jeremiah the Prophet. Lamentations for Good Friday, ZWV 203: No. 3, Lamentatio III. Gregorian Chant | Jan Dismas Zelenka, Tomáš Král, Collegium Marianum | A♭ Minor | 0 | 1A | 84 BPM | ||
Il bianco e dolce cigno: Il bianco e dolce cigno | Jacques Arcadelt, Laudantes Consort, Guy Janssens | G Major | 1 | 9B | 47 BPM | ||
Requiem canticorum: Introit | James Whitbourn, Westminster Williamson Voices, Jeremy Powell, Ken Cowan, James Jordan | E♭ Major | 2 | 5B | 122 BPM | ||
Messe vidi turbam magnam: No. 7, Agnus dei | Gregorio Allegri, A Sei Voci, Bernard Fabre-Garrus | F Major | 1 | 7B | 67 BPM |
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