Evergreen Symphony Orchestra, Kevin Galiè, Anna-Marie Holmes's 'Le Corsaire: Act III - "18. Conrad Shoots Birbanto"' came out on October 14, 2011. With Le Corsaire: Act III - "18. Conrad Shoots Birbanto" being less than two minutes long, at 1:26, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Evergreen Symphony Orchestra, Anna-Marie Holmes, Kevin Galiè's "Le Corsaire - A Ballet in Three Acts" album is number 38 out of 70. On top of that, United States appears to be the country where this track was created. Based on our statistics, Le Corsaire: Act III - "18. Conrad Shoots Birbanto"'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Le Corsaire: Act III - "18. Conrad Shoots Birbanto" by Evergreen Symphony Orchestra, Kevin Galiè, Anna-Marie Holmes to be Allegro (fast, quick, and bright) because the track has a tempo of 141 BPM, a half-time of 70BPM, and a double-time of 282 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 3/4.
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Cello Concerto No. 1 in A Minor, Op. 33: I. Allegro non troppo | Camille Saint-Saëns, Mischa Maisky, Orpheus Chamber Orchestra | F Major | 2 | 7B | 131 BPM | ||
Czech Suite, Op. 39, B. 93: V. Finale (Furiant) | Antonín Dvořák, Polish National Radio Symphony Orchestra, Antoni Wit | D Major | 0 | 10B | 87 BPM | ||
Le carnaval des animaux, R. 125: V. L'Eléphant | Camille Saint-Saëns, Alfons Kontarsky, Aloys Kontarsky, Wiener Philharmoniker, Karl Böhm | E Major | 0 | 12B | 60 BPM | ||
Coppelia: Act III - Valse des heures | Léo Delibes, Slovak Radio Symphony Orchestra, Andrew Mogrelia | E♭ Major | 0 | 5B | 119 BPM | ||
Peer Gynt Suite No.1, Op.46: 3. Anitra's Dance | Edvard Grieg, Berliner Philharmoniker, Herbert von Karajan | D Minor | 0 | 7A | 84 BPM | ||
Le Corsaire: Act I - "12. Pas de Trois des Odalisques: Coda: Odalisques" | Evergreen Symphony Orchestra, Kevin Galiè, Anna-Marie Holmes | B Major | 1 | 1B | 86 BPM | ||
Hungarian Dance No.7 In F | Johannes Brahms, Wiener Philharmoniker, Claudio Abbado | F Major | 1 | 7B | 81 BPM | ||
La fille mal gardée / Act 1: 16. Simone - 19. Storm and Finale | Ferdinand Hérold, Orchestra of the Royal Opera House, Covent Garden, John Lanchbery | G Minor | 2 | 6A | 110 BPM | ||
Sinfonia in F Major: III. Menuetto | Theodor von Schacht, Evergreen Symphony Orchestra, Gernot Schmalfuss | G Major | 3 | 9B | 129 BPM | ||
La Bayadere, Act I, Scene 2: 21. "Finale - Gamzatti and Nikiya (Argument)" | Evergreen Symphony Orchestra, Kevin Galiè | C Minor | 1 | 5A | 111 BPM |
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