"La Bayadere, Act I, Scene 2: 21. "Finale - Gamzatti and Nikiya (Argument)"" by Evergreen Symphony Orchestra, Kevin Galiè was released on February 26, 2018. The duration of La Bayadere, Act I, Scene 2: 21. "Finale - Gamzatti and Nikiya (Argument)" is about 3 minutes long, at 3:04. Based on our data, "La Bayadere, Act I, Scene 2: 21. "Finale - Gamzatti and Nikiya (Argument)"" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Evergreen Symphony Orchestra, Kevin Galiè's "La Bayadère" album is number 21 out of 53. In terms of popularity, La Bayadere, Act I, Scene 2: 21. "Finale - Gamzatti and Nikiya (Argument)" is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of La Bayadere, Act I, Scene 2: 21. "Finale - Gamzatti and Nikiya (Argument)" by Evergreen Symphony Orchestra, Kevin Galiè to be Moderato (at a moderate speed) because the track has a tempo of 111 BPM, a half-time of 56BPM, and a double-time of 222 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
C Minor is the music key of this track. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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L’arlésienne Suite No. 2 (Arr. E. Guiraud): I. Pastorale | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | A Major | 0 | 11B | 117 BPM | ||
21 Hungarian Dances, WoO 1 (version for orchestra): Hungarian Dance No. 21 (orch. A. Dvorak) | Johannes Brahms, Budapest Symphony Orchestra, Istvan Bogar | E Minor | 4 | 9A | 133 BPM | ||
Cello Concerto No. 2 in B Minor, Op. 50: I. Allegro | Henri Vieuxtemps, Wen-Sinn Yang, Evergreen Symphony Orchestra, Gernot Schmalfuss | B Minor | 2 | 10A | 113 BPM | ||
A Midsummer Night's Dream, Incidental Music, Op. 61, MWV M 13: No. 2. L'istesso tempo | Felix Mendelssohn, Philharmonia Orchestra, Sir Neville Marriner | C Major | 0 | 8B | 145 BPM | ||
Giselle: Act II: Variation 1: Andante | Adolphe Adam, Slovak Radio Symphony Orchestra, Andrew Mogrelia | E♭ Major | 2 | 5B | 97 BPM | ||
8 Slavonic Dances, Op.46, B.83: No.5 in A Major (Allegro vivace) | Antonín Dvořák, Czech Philharmonic Orchestra, Jiří Bělohlávek | E Major | 3 | 12B | 142 BPM | ||
Hérold & Lanchbery: La fille mal gardée, Act 1: No. 18, Danse du mai | Ferdinand Hérold, John Lanchbery, Royal Liverpool Philharmonic Orchestra, Barry Wordsworth | B♭ Major | 3 | 6B | 113 BPM | ||
Cinderella - Revised and edited by Douglas Gamley - Act 1: Allegro | Johann Strauss II, National Philharmonic Orchestra, Richard Bonynge | F Major | 1 | 7B | 84 BPM | ||
Coppelia: Act II - Scene | Léo Delibes, Slovak Radio Symphony Orchestra, Andrew Mogrelia | G Major | 0 | 9B | 84 BPM | ||
Etudes: IX. Piqués et grands pirouettes | Knudåge Riisager, Gennady Rozhdestvensky, Danish National Symphony Orchestra | G Major | 1 | 9B | 79 BPM |
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