21 Hungarian Dances, WoO 1 (version for orchestra): Hungarian Dance No. 21 (orch. A. Dvorak) - Johannes Brahms, Budapest Symphony Orchestra, Istvan Bogar Information

Acousticness: 91%
Danceability: 40%
Energy: 40%
Instrumentalness: 95%
Liveness: 18%
Loudness: 73%
Speechiness: 4%
Valence: 79%
Popularity: 7%
Loudness: -15.921 dB

Summary

Johannes Brahms, Budapest Symphony Orchestra, Istvan Bogar made "21 Hungarian Dances, WoO 1 (version for orchestra): Hungarian Dance No. 21 (orch. A. Dvorak)" available on June 25, 1988. With 21 Hungarian Dances, WoO 1 (version for orchestra): Hungarian Dance No. 21 (orch. A. Dvorak) being less than two minutes long, at 1:22, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 21 out of 21 in Brahms: Hungarian Dances Nos. 1-21 by Johannes Brahms, Istvan Bogar. Based on our statistics, 21 Hungarian Dances, WoO 1 (version for orchestra): Hungarian Dance No. 21 (orch. A. Dvorak)'s popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.

21 Hungarian Dances, WoO 1 (version for orchestra): Hungarian Dance No. 21 (orch. A. Dvorak) BPM

The tempo marking of 21 Hungarian Dances, WoO 1 (version for orchestra): Hungarian Dance No. 21 (orch. A. Dvorak) by Johannes Brahms, Budapest Symphony Orchestra, Istvan Bogar is Allegro (fast, quick, and bright), since this song has a tempo of 133 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.

21 Hungarian Dances, WoO 1 (version for orchestra): Hungarian Dance No. 21 (orch. A. Dvorak) Key

This song is in the music key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Serenade in E Minor, Op. 20: III. Allegretto	Edward Elgar, Mainz Chamber Orchestra, Gernot Schulz	G Major	1	9B	89 BPM
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Piano Concerto No.2 in G Major, Op. 44: I. Allegro billante	Vladimir Ashkenazy, Sydney Symphony Orchestra, Garrick Ohlsson	D Major	2	10B	94 BPM
Winterreise, Op. 89, D. 911: No. 21, Tauschung (Arr. T. Zimmermann and H. Holl)	Franz Schubert, Peter Härtling, Tabea Zimmermann, Hartmut Höll	A Major	0	11B	119 BPM
Soirees a Saint-Petersbourg, Op. 44: No. 1. Romance in E-Flat Major (arr. for string ensemble)	Anonymous, Anton Rubinstein, Budapest Strings, Béla Bánfalvi	E♭ Major	0	5B	106 BPM
M. Glinka: Overture To Opera "Ruslan and Lyudmila"	Chicago Symphony Orchestra, L. Smit	A Major	1	11B	82 BPM
La source, ou Naila: Suite No. 3: Suite No. 3: Finale	Léo Delibes, Slovak Radio Symphony Orchestra, Andrew Mogrelia	E♭ Major	0	5B	66 BPM
Bridal Procession, Op. 19 No. 2	Edvard Grieg, Yuri Temirkanov	A♭ Major	0	4B	72 BPM
Pictures at an Exhibition: Bydlo	Modest Mussorgsky, George Szell, Cleveland Orchestra	D♭ Major	0	3B	79 BPM
Cello Concerto No. 1 in C Major, Hob. VIIb/1: III. Allegro Molto	Joseph Haydn, Lev Markiz, Moscow Chamber Orchestra, Natalia Gutman	E♭ Major	0	5B	103 BPM

ISRC: This song does not have an ISRC.
Label: L-M Records/RCA Records

Section: 0.6185994148254395

End: 0.6226520538330078