"Iphigénie en Tauride, Wq. 46, Act I: Act I: Recitative: O race de Pelops (Iphigénie, Pr?tresses)" by Christoph Willibald Gluck, Patricia Neway, Ann-Marie Carpenter, Orchestre De La Société Des Concerts Du Conservatoire, Carlo Maria Giulini was released on July 1, 2016. The duration of Iphigénie en Tauride, Wq. 46, Act I: Act I: Recitative: O race de Pelops (Iphigénie, Pr?tresses) is about two minutes long, specifically at 2:15. This song does not appear to have any foul language. Iphigénie en Tauride, Wq. 46, Act I: Act I: Recitative: O race de Pelops (Iphigénie, Pr?tresses)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Christoph Willibald Gluck, Patricia Neway, Robert Massard, Orchestre De La Société Des Concerts Du Conservatoire, Carlo Maria Giulini's "Gluck: Iphigénie en Tauride, Wq. 46 (Live)" album is number 4 out of 59. On top of that, Germany appears to be the country where this track was created. In terms of popularity, Iphigénie en Tauride, Wq. 46, Act I: Act I: Recitative: O race de Pelops (Iphigénie, Pr?tresses) is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Iphigénie en Tauride, Wq. 46, Act I: Act I: Recitative: O race de Pelops (Iphigénie, Pr?tresses) by Christoph Willibald Gluck, Patricia Neway, Ann-Marie Carpenter, Orchestre De La Société Des Concerts Du Conservatoire, Carlo Maria Giulini to be Andante (at a walking pace) because the track has a tempo of 99 BPM, a half-time of 50BPM, and a double-time of 198 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto for Strings in A Minor, RV 161: I. Allegro | Antonio Vivaldi, Accademia I Filarmonici, Alberto Martini | B♭ Major | 5 | 6B | 124 BPM | ||
Divertimento No. 6 in G Major, Op. 38: Divertimento No. 6 in G Major, Op. 38 | Carl Maria von Weber, Ensemble 3 Mouvements | G Major | 0 | 9B | 119 BPM | ||
Lied ohne Worte in F-Sharp Minor, Op. 67/2 | Felix Mendelssohn, Khatia Buniatishvili | F♯ Minor | 1 | 11A | 75 BPM | ||
Mazurka in C Minor | Mikhail Glinka, Inga Fiolia | C Minor | 0 | 5A | 106 BPM | ||
Pelléas et Mélisande, Op.80: 3. Sicilienne | Gabriel Fauré, Academy of St. Martin in the Fields, Sir Neville Marriner | G Minor | 0 | 6A | 111 BPM | ||
3 Romances, Op. 22: No. 1, Andante molto (Arr. Knoth for Cello and Piano) | Clara Schumann, Sophie Kauer, Kunal Lahiry | D♭ Major | 0 | 3B | 68 BPM | ||
Harmonies des bois, Op. 76: II. Les larmes de Jacqueline | Jacques Offenbach, Camille Thomas, Orchestre National de Lille, Alexandre Bloch | C Major | 0 | 8B | 84 BPM | ||
Concerto Grosso in B-Flat Major, Op. 3, No. 1, HWV 312: III. Allegro | George Frideric Handel, Pamela Thorby, Rebecca Austen-Brown, Academy of St. Martin in the Fields, Iona Brown | G Minor | 4 | 6A | 120 BPM | ||
The Wounded Heart, Op. 34, No. 1 (From "Elegiac Melodies") | Edvard Grieg, Yo-Yo Ma, Kathryn Stott | G Major | 1 | 9B | 81 BPM | ||
Orfeo ed Euridice, Wq. 30 / Act II: Dance of the Blessed Spirits (Arr. by Mathieu Herzog for Cello and Strings) | Christoph Willibald Gluck, Camille Thomas, Brussels Philharmonic, Mathieu Herzog | B Minor | 1 | 10A | 87 BPM |
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