"Harmonies des bois, Op. 76: II. Les larmes de Jacqueline" by Jacques Offenbach, Camille Thomas, Orchestre National de Lille, Alexandre Bloch was released on October 6, 2017. Harmonies des bois, Op. 76: II. Les larmes de Jacqueline is about six minutes long, preciously at 6:22, making this song fairly long compared to other songs. There are a total of 14 in the song's album "Saint-Saëns, Offenbach". In this album, this song's track order is #13. Furthermore, we believe that the track originated from Germany. Harmonies des bois, Op. 76: II. Les larmes de Jacqueline is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Harmonies des bois, Op. 76: II. Les larmes de Jacqueline by Jacques Offenbach, Camille Thomas, Orchestre National de Lille, Alexandre Bloch having a BPM of 84 with a half-time of 42 BPM and a double-time of 168 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Les Contes d'Hoffmann (1989 Digital Remaster), Act I: Glou, glou, glou (Choeurs) | Jacques Offenbach, Nicolai Gedda, Elisabeth Schwarzkopf, Victoria de los Ángeles, Gianna D'Angelo, Christiane Gayraud, Robert Geay, Jean-Pierre Laffage, Jean Christophe Benoit, Michel Sénéchal, Ernest Blanc, George London, Nicola Ghiuselev, André Mallabrera, Renée Faure, Jacques Pruvost, André Cluytens, Orchestre De La Société Des Concerts Du Conservatoire | C Major | 0 | 8B | 101 BPM | ||
La belle Hélène: Overture | Jacques Offenbach, Orchestre National de Lille, Darrell Ang | A Major | 2 | 11B | 82 BPM | ||
Nisi Dominus, RV 608: 4. Cum dederit dilectis suis (Arr. Cello) | Antonio Vivaldi, Harriet Krijgh, Amsterdam Sinfonietta, Candida Thompson | G Minor | 0 | 6A | 106 BPM | ||
Jalousie! | Jacques Offenbach, Mariam Sarkissian, Fanny Crouet, Daniel Propper | D Major | 2 | 10B | 141 BPM | ||
Jeux d'enfants, Op. 22 WD 56: 3. La poupée | Georges Bizet, Katia Labèque, Marielle Labèque | B Major | 0 | 1B | 64 BPM | ||
Orphée aux enfers: Overture (Arr. C. Binder & J.G. Busch for Orchestra) | Jacques Offenbach, Orchestre National de Lille, Darrell Ang | E Minor | 1 | 9A | 126 BPM | ||
Schwanengesang, S. 560: Schubert - Schwanengesang, S. 560/R. 245: No. 7, Standchen (Leise flehen meine Lieder) [After F. Schubert] | Franz Liszt, Oxana Yablonskaya | D Major | 0 | 10B | 66 BPM | ||
Sonata for Cello and Piano No. 4 in C Major, Op. 102 No. 1: I. Andante | Ludwig van Beethoven, Mischa Maisky, Martha Argerich | C Major | 0 | 8B | 66 BPM | ||
Children's Album, Op. 39, TH 141: 21. Sweet Dreams | Lang Lang | C Major | 0 | 8B | 67 BPM | ||
Gretchen am Spinnrade, D. 118 (Adapt. for Cello and Orchestra) | Franz Schubert, Camille Thomas, Brussels Philharmonic, Mathieu Herzog | D Minor | 2 | 7A | 84 BPM |
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