"Prokofiev: Visions fugitives, Op. 22: No. 20, Lento irrealmente" by Sergei Prokofiev, Michel Béroff was released on 1988. With Prokofiev: Visions fugitives, Op. 22: No. 20, Lento irrealmente being less than two minutes long, at 1:42, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 40 in the song's album "Prokofiev: Piano Concertos, etc". In this album, this song's track order is #30. Furthermore, we believe that the track originated from France. Prokofiev: Visions fugitives, Op. 22: No. 20, Lento irrealmente is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Prokofiev: Visions fugitives, Op. 22: No. 20, Lento irrealmente by Sergei Prokofiev, Michel Béroff having a BPM of 71 with a half-time of 36 BPM and a double-time of 142 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 5/4.
This song has a musical key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 9 in E Minor, Op. 95 "From the New World": III. Scherzo. Molto vivace | Antonín Dvořák, New York Philharmonic, Alan Gilbert | C Major | 1 | 8B | 121 BPM | ||
Divertimento: V: Turkey Trot: Allegretto, ben misurato | Leonard Bernstein, Bournemouth Symphony Orchestra, Marin Alsop | D♭ Major | 1 | 3B | 106 BPM | ||
Masquerade Suite: Nocturne | Aram Khachaturian, St. Petersburg State Symphony Orchestra, Andre Anichanov | A Major | 1 | 11B | 105 BPM | ||
Violin Partita No. 2 in D Minor, BWV 1004: I. Allemande | Johann Sebastian Bach, Hilary Hahn | D Minor | 1 | 7A | 76 BPM | ||
12 Études, Op. 10: No. 4 in C-Sharp Minor "Torrent" | Frédéric Chopin, Maurizio Pollini | D♭ Minor | 3 | 12A | 85 BPM | ||
Symphonie fantastique: V. Dream of a Witches' Sabbath, Larghetto - Allegro) | Hector Berlioz, Philadelphia Orchestra, Christoph Eschenbach | C Minor | 1 | 5A | 61 BPM | ||
Carmen Fantasy, Op. 25: I. Moderato | Pablo de Sarasate, Hilary Hahn, Frankfurt Radio Symphony Orchestra, Andrés Orozco-Estrada | D Major | 1 | 10B | 89 BPM | ||
Prokofiev: Romeo and Juliet, Op. 64, Act 1, Scene 1: Introduction | Sergei Prokofiev, André Previn, London Symphony Orchestra | B Major | 0 | 1B | 105 BPM | ||
Beethoven: Symphony No. 6 in F Major, Op. 68 "Pastoral": IV. Gewitter. Sturm. Allegro - | Ludwig van Beethoven, Philadelphia Orchestra, Riccardo Muti | G Major | 0 | 9B | 127 BPM | ||
Orientale No. 9, Op. 50 from Kaleidoscope | César Cui, Midori, Robert McDonald | G Minor | 1 | 6A | 106 BPM |
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