"Salve Regina, R.616 (Antiphona): 3. "Ad te suspiramus" (Larghetto)" by Antonio Vivaldi, Andreas Scholl, Australian Brandenburg Orchestra, Paul Dyer was released on January 1, 2000. With this song being about 5 minutes long, at 4:33, "Salve Regina, R.616 (Antiphona): 3. "Ad te suspiramus" (Larghetto)" by Antonio Vivaldi, Andreas Scholl, Australian Brandenburg Orchestra, Paul Dyer is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. This song is part of Vivaldi: Nisi Dominus; Concerto for Strings & Continuo in F etc. by Antonio Vivaldi, Andreas Scholl, Australian Brandenburg Orchestra, Paul Dyer. The song's track number on the album is #26 out of 29 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. In terms of popularity, Salve Regina, R.616 (Antiphona): 3. "Ad te suspiramus" (Larghetto) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Salve Regina, R.616 (Antiphona): 3. "Ad te suspiramus" (Larghetto) by Antonio Vivaldi, Andreas Scholl, Australian Brandenburg Orchestra, Paul Dyer has a tempo of 111 beats per a minute, the tempo markings of this song would be Moderato (at a moderate speed). With Salve Regina, R.616 (Antiphona): 3. "Ad te suspiramus" (Larghetto) being at 111 BPM, the half-time would be 56 BPM with a double-time of 222 BPM.In addition, we consider the tempo speed to be pretty moderate for this song. The time signature for this track is 1/4.
B Minor is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mit Fried und Freud ich fahr dahin, BuxWV 76 | Dietrich Buxtehude, Anima Eterna, Collegium Vocale, Jos Van Immerseel | D Minor | 1 | 7A | 56 BPM | ||
Ode for St. Cecilia's Day, HWV 76: Air: What passion cannot Music raise | George Frideric Handel, Dorothee Mields, Mark Wilde, Alsfelder Vocal Ensemble, Concerto Polacco, Wolfgang Helbich | A♭ Minor | 0 | 1A | 96 BPM | ||
Laudate pueri in G Major, RV 601 "Salmo 112": II. Sit nomen Domini (Allegro) | Antonio Vivaldi, Sandrine Piau, Accademia Bizantina, Ottavio Dantone, Stefano Montanari | E♭ Minor | 1 | 2A | 121 BPM | ||
Giulio Cesare in Egitto, HWV 17, Atto II Scena 2: Aria "Se in fiorito ameno prato" | George Frideric Handel, Andreas Scholl, Akademie für Alte Musik Berlin | F♯ Major | 1 | 2B | 111 BPM | ||
Miserere in C minor: Misere II | Thomas Hengelbrock | B Major | 1 | 1B | 104 BPM | ||
Miserere: II. Amplius lava me - Tibi soli peccavi | Michel Richard Delalande, Sophie Karthäuser, Ensemble Correspondances, Sébastien Daucé | B Minor | 1 | 10A | 129 BPM | ||
Ich habe genug, Cantata BWV 82: 3. Aria: "Schlummert ein, ihr matten Augen" | Johann Sebastian Bach, Andreas Scholl, Kammerorchester Basel, Julia Schröder | F♯ Minor | 3 | 11A | 121 BPM | ||
Magnificat in B flat major: Magnificat anima mea | Francesco Durante, Thomas Hengelbrock | A Major | 3 | 11B | 126 BPM | ||
Stabat Mater: 8. Fac ut ardeat | Giovanni Battista Pergolesi, Margaret Marshall, Lucia Valentini Terrani, London Symphony Orchestra, Claudio Abbado, Leslie Pearson | G Minor | 2 | 6A | 110 BPM | ||
Fago: Confitebor tibi Domine: IV. "Sanctum et terribile" | Francesco Nicola Fago, Jakub Józef Orliński, Maxim Emelyanychev, Il Pomo D'oro | E Major | 1 | 12B | 178 BPM |
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