Die Elenden sollen essen, BWV 75: Part II: Sinfonia - Johann Sebastian Bach, Midori Suzuki, Yoshikazu Mera, Gerd Türk, Peter Kooij, Bach Collegium Japan, Masaaki Suzuki Information

Acousticness: 96%
Danceability: 20%
Energy: 20%
Instrumentalness: 38%
Liveness: 10%
Loudness: 68%
Speechiness: 4%
Valence: 38%
Popularity: 4%
Loudness: -19.269 dB

Summary

Johann Sebastian Bach, Midori Suzuki, Yoshikazu Mera, Gerd Türk, Peter Kooij, Bach Collegium Japan, Masaaki Suzuki's 'Die Elenden sollen essen, BWV 75: Part II: Sinfonia' came out on August 1, 1998. The duration of Die Elenden sollen essen, BWV 75: Part II: Sinfonia is about two minutes long, specifically at 2:14. This song does not appear to have any foul language. Die Elenden sollen essen, BWV 75: Part II: Sinfonia's duration is considered a little bit shorter than the average duration of a typical track. The song is number 17 out of 23 in Bach, J.S.: Cantatas, Vol. 8 - Bwv 22, 23, 75 by Johann Sebastian Bach. Going off of the ISRC code of this track, we detected that the origin of this track is from Sweden. Die Elenden sollen essen, BWV 75: Part II: Sinfonia is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Die Elenden sollen essen, BWV 75: Part II: Sinfonia BPM

The tempo marking of Die Elenden sollen essen, BWV 75: Part II: Sinfonia by Johann Sebastian Bach, Midori Suzuki, Yoshikazu Mera, Gerd Türk, Peter Kooij, Bach Collegium Japan, Masaaki Suzuki is Andante (at a walking pace), since this song has a tempo of 81 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.

Die Elenden sollen essen, BWV 75: Part II: Sinfonia Key

This song is in the music key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.

Recommendations

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Violin Sonata in B-Flat Major, Op. 5 No. 2: III. Vivace	Arcangelo Corelli, Lina Tur Bonet, Musica Alchemica	A♭ Major	3	4B	83 BPM
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Musical Offering, BWV 1079, Regis issu cantio et reliqua canonica arte: II. Ricercar à 6	Johann Sebastian Bach, Ricercar Consort, Philippe Pierlot, Maude Gratton, Marc Hantaï, François Fernandez	F♯ Minor	3	11A	62 BPM
Chromatic Fantasia And Fugue In D Minor, BWV 903 : Fugue	Janos Sebestyen, Johann Sebastian Bach	D Minor	3	7A	88 BPM
Dido and Aeneas, Z. 626 / Act III: "When I Am Laid in Earth" Dido's Lamento (Arr. by Mathieu Herzog for Cello and Strings)	Henry Purcell, Camille Thomas, Brussels Philharmonic, Mathieu Herzog	G Minor	1	6A	77 BPM
21 Hungarian Dances, WoO 1: Hungarian Dance No. 11 in D Minor	Seattle Symphony Orchestra, Johannes Brahms, Gerard Schwarz	A Minor	0	8A	76 BPM

ISRC: SEAEJ9801170
Label: L-M Records/RCA Records

Section: 0.7327907085418701

End: 0.7361257076263428