Musical Offering, BWV 1079, Regis issu cantio et reliqua canonica arte: II. Ricercar à 6 - Johann Sebastian Bach, Ricercar Consort, Philippe Pierlot, Maude Gratton, Marc Hantaï, François Fernandez Information

Acousticness: 76%
Danceability: 14%
Energy: 26%
Instrumentalness: 0%
Liveness: 11%
Loudness: 66%
Speechiness: 5%
Valence: 33%
Popularity: 11%
Loudness: -20.313 dB

Summary

Johann Sebastian Bach, Ricercar Consort, Philippe Pierlot, Maude Gratton, Marc Hantaï, François Fernandez's 'Musical Offering, BWV 1079, Regis issu cantio et reliqua canonica arte: II. Ricercar à 6' came out on February 9, 2015. Musical Offering, BWV 1079, Regis issu cantio et reliqua canonica arte: II. Ricercar à 6 is about six minutes long, preciously at 6:00, making this song fairly long compared to other songs. The song is number 1 out of 16 in Bach: Musikalisches Opfer (The Musical Offering) by Johann Sebastian Bach, Marc Hantaï, François Fernandez, Philippe Pierlot, Ricercar Consort, Maude Gratton. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Musical Offering, BWV 1079, Regis issu cantio et reliqua canonica arte: II. Ricercar à 6 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Musical Offering, BWV 1079, Regis issu cantio et reliqua canonica arte: II. Ricercar à 6 BPM

The tempo marking of Musical Offering, BWV 1079, Regis issu cantio et reliqua canonica arte: II. Ricercar à 6 by Johann Sebastian Bach, Ricercar Consort, Philippe Pierlot, Maude Gratton, Marc Hantaï, François Fernandez is Larghetto (rather broadly), since this song has a tempo of 62 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.

Musical Offering, BWV 1079, Regis issu cantio et reliqua canonica arte: II. Ricercar à 6 Key

This song is in the music key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Cello Concerto in G Minor, RV 416: III. Allegro	Antonio Vivaldi, Raphael Wallfisch, City of London Sinfonia, Nicholas Kraemer	G Minor	1	6A	135 BPM
Les plaisirs: Sarabande	Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon	F♯ Minor	0	11A	144 BPM
Sonata X in G Major for Two Cellos: III. Allegro prestissimo	Jean Barrière, Patrick Demenga, Thomas Demenga	D Major	2	10B	153 BPM
Oboe Concerto in C Major, Op. 9, No. 5: III. Allegro	Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis	C Major	3	8B	103 BPM
Die Kunst der Fuge, BWV 1080: I. Contrapunctus VIII	Johann Sebastian Bach, Aapo Häkkinen	D♭ Minor	5	12A	151 BPM
The Well-Tempered Clavier, Book 1, BWV 846-869: Prelude No. 5 in D major, BWV 850	Luc Beauséjour	D♭ Major	5	3B	118 BPM
Gott hilf mir, denn das Wasser geht mir bis an die Seele, BuxWV 34: I. Sonata	Dietrich Buxtehude, Ensemble Masques, Olivier Fortin	C Minor	0	5A	148 BPM
Prelude and Fugue in C-Sharp Minor, BWV 849: Prelude	Johann Sebastian Bach, Glenn Gould	E♭ Major	4	5B	113 BPM
Kinderszenen, Op.15: 12. Kind im Einschlummern	Robert Schumann, Martha Argerich	E Minor	0	9A	123 BPM
Concerto for 2 Violins in D Minor, BWV 1043: I. Vivace	Johann Sebastian Bach, Pieter Schoeman, Vesselin Gellev, David Parry, London Philharmonic Orchestra	D Minor	3	7A	100 BPM

ISRC: FRU621223701
Label: L-M Records/RCA Records

Section: 0.7416608333587646

End: 0.7490355968475342