Heitor Villa-Lobos, Sergio Burgani, Marcos Pedroso, Wagner Polistchuck, Alexandre Silverio, Dante Yenque, Luciano Amaral, Samuel Hamzem, Orquestra Sinfônica do Estado de São Paulo, John Neschling's 'Choros No. 3, "Pica-Pau"' had a release date set for January 1, 2009. With this song being around four minutes long, at 3:44, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. This song is part of Villa-Lobos, H.: Choros, Vol. 3 - Choros Nos. 2, 3, 10, 12 / Introduction To the Choros / 2 Choros Bis by Heitor Villa-Lobos, John Neschling. The song's track number on the album is #5 out of 7 tracks. Based on our data, Sweden was the country where this track was produced or recorded. In terms of popularity, Choros No. 3, "Pica-Pau" is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Choros No. 3, "Pica-Pau" by Heitor Villa-Lobos, Sergio Burgani, Marcos Pedroso, Wagner Polistchuck, Alexandre Silverio, Dante Yenque, Luciano Amaral, Samuel Hamzem, Orquestra Sinfônica do Estado de São Paulo, John Neschling has a tempo of 95 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Choros No. 3, "Pica-Pau" being at 95 BPM, the half-time would be 48 BPM with a double-time of 190 BPM.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of F Minor. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
3 Romances, Op. 22: No. 1, Andante molto (Arr. Knoth for Cello and Piano) | Clara Schumann, Sophie Kauer, Kunal Lahiry | D♭ Major | 0 | 3B | 68 BPM | ||
Il bell'Antonio, Tema III | Giovanni Sollima, Yo-Yo Ma, Kathryn Stott | C Minor | 1 | 5A | 88 BPM | ||
Córdoba | Isaac Albéniz, David Russell | F Major | 1 | 7B | 133 BPM | ||
Passacaglia | Silvius Leopold Weiss, Miloš Karadaglić | D Major | 1 | 10B | 86 BPM | ||
Castillos de Espana II: No. 6. Torija | Federico Moreno Torroba, Ana Vidovic | D Major | 0 | 10B | 124 BPM | ||
Dido and Aeneas, Z. 626: Overture | Henry Purcell, Kym Amps, David van Asch, Anna Crookes, The Scholars Baroque Ensemble | B Minor | 2 | 10A | 91 BPM | ||
Valses pour 2 pianos: Valse lente | Germaine Tailleferre, Edouard Exerjean, Philippe Corre | B Minor | 0 | 10A | 71 BPM | ||
Scaramouche, Suite for 2 Pianos: 3. Brazileira (Mouvement de samba) | Darius Milhaud, Katia Labèque, Marielle Labèque | F Major | 2 | 7B | 99 BPM | ||
Piano Quintet in A Major, Op. 81, B. 155: II. Dumka (Arr. P. Breiner for Piano) | Antonín Dvořák, Peter Breiner | B Minor | 0 | 10A | 71 BPM | ||
Keyboard Sonata in C Major, Kk. 159 | Domenico Scarlatti, Alon Goldstein | C Major | 2 | 8B | 120 BPM |