- BPM
- 84
- Key
- G Major
- Camelot
- 9B
Candide / Act I: 10. Candide Begins His Travels - 10a. It Must Be Me (Candide's Second Meditation) - Leonard Bernstein, Jerry Hadley, London Symphony Orchestra Information
- Acousticness
- 94%
- Danceability
- 17%
- Energy
- 4%
- Instrumentalness
- 0%
- Liveness
- 23%
- Loudness
- 64%
- Speechiness
- 4%
- Valence
- 4%
- Popularity
- 8%
- Loudness
- -21.872 dB
Summary
"Candide / Act I: 10. Candide Begins His Travels - 10a. It Must Be Me (Candide's Second Meditation)" by Leonard Bernstein, Jerry Hadley, London Symphony Orchestra was released on January 1, 1991. The duration of Candide / Act I: 10. Candide Begins His Travels - 10a. It Must Be Me (Candide's Second Meditation) is about 3 minutes long, at 3:11. Based on our data, "Candide / Act I: 10. Candide Begins His Travels - 10a. It Must Be Me (Candide's Second Meditation)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 13 out of 34 in Bernstein: Candide by Leonard Bernstein, London Symphony Orchestra. Candide / Act I: 10. Candide Begins His Travels - 10a. It Must Be Me (Candide's Second Meditation) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Candide / Act I: 10. Candide Begins His Travels - 10a. It Must Be Me (Candide's Second Meditation) BPM
The tempo marking of Candide / Act I: 10. Candide Begins His Travels - 10a. It Must Be Me (Candide's Second Meditation) by Leonard Bernstein, Jerry Hadley, London Symphony Orchestra is Andante (at a walking pace), since this song has a tempo of 84 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
Candide / Act I: 10. Candide Begins His Travels - 10a. It Must Be Me (Candide's Second Meditation) Key
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Appalachian Spring: VI. Meno mosso | Aaron Copland, London Symphony Orchestra | D♭ Major | 0 | 3B | 56 BPM | |
 | Peter Grimes: 4 Sea Interludes, Op. 33a: III. Moonlight | Benjamin Britten, London Symphony Orchestra, Steuart Bedford | E♭ Major | 0 | 5B | 84 BPM | |
 | Die Walküre, WWV 86B / Act 1: "Schläfst du, Gast?...Der Männer Sippe saß hier" | Richard Wagner, Alessandra Marc, Poul Elming, Cleveland Orchestra, Christoph von Dohnányi | E Minor | 1 | 9A | 117 BPM | |
 | Adams: Nixon in China: Act I, Scene 2 - (Beginning) | John Adams, Edo de Waart, Orchestra of St. Luke's | D Major | 2 | 10B | 171 BPM | |
 | Songs of Travel: I. The Vagabond | Ralph Vaughan Williams, Bryn Terfel, Malcolm Martineau | D♭ Major | 1 | 3B | 115 BPM | |
 | Manon Lescaut: Act IV: Sola, perduta, abbandonata | Giacomo Puccini, Lucienne van Deyck, Miriam Gauci, Donald George, Ludwig van Gijzegem, Kaludi Kaludov, Henk Lauwers, Marcel Rosca, Vicente Sardinero, BRT Philharmonic Chorus, Jaak Gregoor Choir, Belgian Radio and Television Philharmonic Orchestra, Alexander Rahbari | D Major | 0 | 10B | 83 BPM | |
 | Symphony No. 3 in D Minor, Part II: IV. Sehr langsam - Misterioso | Gustav Mahler, Leonard Bernstein, New York Philharmonic | A Major | 0 | 11B | 82 BPM | |
 | Symphony No. 1 "Jeremiah": I. Prophecy | Leonard Bernstein, Jennie Tourel, New York Philharmonic | E Minor | 3 | 9A | 79 BPM | |
 | Il Barbiere di Siviglia (1996 Digital Remaster): Di sì felice innesto (Tutti) | Gioachino Rossini, Beverly Sills, Nicolai Gedda, Sherrill Milnes, Renato Capecchi, Ruggero Raimondi, Michael Rippon, John Alldis Choir, Joseph Galiano, London Symphony Orchestra, James Levine, Fedora Barbieri | A Major | 2 | 11B | 77 BPM | |
 | The Rake's Progress / Act 1/Scene 1: "The woods are green" | Igor Stravinsky, Deborah York, Ian Bostridge, Martin Robson, London Symphony Orchestra, John Eliot Gardiner | A Major | 1 | 11B | 77 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.6672673225402832
End: 0.6704573631286621