Karen Khachaturian, Alexander Kopylov, Bolshoi Theatre Orchestra's 'Cipollino, Act II Scene 4: Dance of Cherries Countesses' came out on January 1, 2009. With Cipollino, Act II Scene 4: Dance of Cherries Countesses being less than two minutes long, at 1:24, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Karen Khachaturian, Alexander Kopylov, Bolshoi Theatre Orchestra's "Karen Khachaturian: Cipollino" album is number 3 out of 41. In terms of popularity, Cipollino, Act II Scene 4: Dance of Cherries Countesses is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Cipollino, Act II Scene 4: Dance of Cherries Countesses by Karen Khachaturian, Alexander Kopylov, Bolshoi Theatre Orchestra to be Moderato (at a moderate speed) because the track has a tempo of 116 BPM, a half-time of 58BPM, and a double-time of 232 BPM. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Wettrennen-galoppe, Op. 29a | Slovak Sinfonietta, Zilina, Johann Strauss I | D Major | 2 | 10B | 150 BPM | ||
Titina (Orch. E. Powell & D. Raksin) | NDR Radiophilharmonie, Timothy Brock | E Minor | 1 | 9A | 110 BPM | ||
Sphärenklänge, Walzer, Op. 235 | Josef Strauss, Daniel Barenboim, Wiener Philharmoniker | D Major | 1 | 10B | 187 BPM | ||
Dagmar Vals | Hans Christian Lumbye, Tivoli Symphony Orchestra | G Major | 2 | 9B | 107 BPM | ||
Le Cid: Aragonaise | Jules Massenet, Cincinnati Pops Orchestra, Erich Kunzel | D Major | 0 | 10B | 120 BPM | ||
The Red Poppy: III. Scene and Dance with Goldfingers | Reinhold Glière, Bolshoi Theatre Orchestra, Moscow Symphony Orchestra, Yuri Fayer | E Major | 2 | 12B | 99 BPM | ||
Le Corsaire: Act II - "5. Grand Pas: Variation: Medora" | Evergreen Symphony Orchestra, Kevin Galiè, Anna-Marie Holmes | F Major | 0 | 7B | 77 BPM | ||
Pegasus-sprünge, Op. 51 (Arr. for Orchestra by Kurt Schmid) | Eduard Strauss, Czech Philharmonic Chamber Orchestra, Marek Štilec | D Major | 4 | 10B | 155 BPM | ||
The Golden Age, Op. 22 : Act II, Galop | Bolshoi Theatre Orchestra | G Minor | 5 | 6A | 90 BPM | ||
Ballet Suite No. 3 (arr. L. Atovmyan): Waltz (The Human Comedy) | Lev Atovmyan, Dmitri Shostakovich, Russian Philharmonic Orchestra, Dmitry Yablonsky | A Major | 2 | 11B | 98 BPM |
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