NDR Radiophilharmonie, Timothy Brock made "Titina (Orch. E. Powell & D. Raksin)" available on July 3, 2015. The duration of Titina (Orch. E. Powell & D. Raksin) is about two minutes long, specifically at 2:24. This song does not appear to have any foul language. Titina (Orch. E. Powell & D. Raksin)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in NDR Radiophilharmonie, Timothy Brock's "Modern Times (Score Restoration by Timothy Brock)" album is number 9 out of 10. On top of that, Germany appears to be the country where this track was created. In terms of popularity, Titina (Orch. E. Powell & D. Raksin) is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Titina (Orch. E. Powell & D. Raksin) by NDR Radiophilharmonie, Timothy Brock to be Moderato (at a moderate speed) because the track has a tempo of 110 BPM, a half-time of 55BPM, and a double-time of 220 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
This song has a musical key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Clarinet Concerto No. 2 in E-Flat Major, Op. 57: I. Allegro | Louis Spohr, Christoffer Sundqvist, NDR Radiophilharmonie, Simon Gaudenz | E Minor | 0 | 9A | 111 BPM | ||
The Young Person's Guide to the Orchestra: Variations and Fugue on a Theme of Henry Purcell, Op. 34: Theme | Benjamin Britten, Symfonický orchester Slovenského rozhlasu, Ondrej Lenard | B♭ Major | 2 | 6B | 77 BPM | ||
Les Indes galantes: Air des Sauvages | Jean-Philippe Rameau, La Chapelle Royale, Philippe Herreweghe | F♯ Minor | 2 | 11A | 85 BPM | ||
Cipollino, Act II Scene 3: Scene with Flowers | Karen Khachaturian, Alexander Kopylov, Bolshoi Theatre Orchestra | A Major | 1 | 11B | 103 BPM | ||
Voices of Spring Waltz, Op. 410 | Orchestra of the Viennese Volksoper & Alfred Scholz | C Minor | 1 | 5A | 99 BPM | ||
Symphonia Tragica, Op. 40: I. Andante - Allegro risoluto | Felix Draeseke, NDR Radiophilharmonie, Jörg-Peter Weigle | C Major | 0 | 8B | 136 BPM | ||
Passage of Time | Rachel Portman | E Minor | 0 | 9A | 94 BPM | ||
Monti: Csárdás | Vittorio Monti, Edgar Moreau, Pierre-Yves Hodique, Basil Cameron, Philharmonia Orchestra | D Major | 1 | 10B | 85 BPM | ||
Thème de Gerbier - Bande originale du film "L'armée des ombres" | Eric Demarsan | F Minor | 3 | 4A | 72 BPM | ||
Borsalino: la réussite - 1970 | Claude Bolling | C Major | 7 | 8B | 110 BPM |
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