Lev Atovmyan, Dmitri Shostakovich, Russian Philharmonic Orchestra, Dmitry Yablonsky made "Ballet Suite No. 3 (arr. L. Atovmyan): Waltz (The Human Comedy)" available on October 6, 2004. The duration of Ballet Suite No. 3 (arr. L. Atovmyan): Waltz (The Human Comedy) is about two minutes long, specifically at 2:29. This song does not appear to have any foul language. Ballet Suite No. 3 (arr. L. Atovmyan): Waltz (The Human Comedy)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 21 in the song's album "Shostakovich: Ballet Suites Nos. 1-4". In this album, this song's track order is #13. In terms of popularity, Ballet Suite No. 3 (arr. L. Atovmyan): Waltz (The Human Comedy) is currently not that popular. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
With Ballet Suite No. 3 (arr. L. Atovmyan): Waltz (The Human Comedy) by Lev Atovmyan, Dmitri Shostakovich, Russian Philharmonic Orchestra, Dmitry Yablonsky having a BPM of 98 with a half-time of 49 BPM and a double-time of 196 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Othello, Op. 79: I. Dance | Samuel Coleridge-Taylor, RTE Concert Orchestra, Adrian Leaper | D Minor | 3 | 7A | 82 BPM | ||
Raymonda, Act III: Pas Classique Hongrois | Alexander Glazunov, Kivov Orchestra, Viktor Fedotov | F Minor | 0 | 4A | 139 BPM | ||
Etudes: I. Tendus - grands battements - fondus - frappés | Knudåge Riisager, Gennady Rozhdestvensky, Danish National Symphony Orchestra | C Major | 3 | 8B | 134 BPM | ||
Symphony Fantastique Op.14: Un Bal, Valse (Allegro Non Troppo) | Alberto Lizzio, South German Philharmonic Orchestra | A Major | 1 | 11B | 177 BPM | ||
Des Matrosen Heimkehr: Tanz der Schiffsjungen | Franz von Suppé, Tonkünstler-Orchester, Ola Rudner | D Major | 2 | 10B | 168 BPM | ||
Die Puppenfee (The Fairy Doll): No. 5 Moderato | Josef Bayer, Slovak Radio Symphony Orchestra, Andrew Mogrelia | D Minor | 0 | 7A | 98 BPM | ||
Cinderella-Suite Nr. 1, Op. 107: V. Mazurka | Sergei Prokofiev, Ukrainian State Symphony Orchestra, Theodore Kuchar | D Minor | 2 | 7A | 77 BPM | ||
Rebecca's Dream | Jack Grimsley, Adelaide Symphony Orchestra, Guy Noble | E Minor | 1 | 9A | 72 BPM | ||
Act I: Scene. Entree Of Don Quixote & Sancho Panza (Minkus) | Mariinsky Orchestra | B♭ Major | 2 | 6B | 122 BPM | ||
Etudes: II. Ronds de jambe | Knudåge Riisager, Gennady Rozhdestvensky, Danish National Symphony Orchestra | G Major | 1 | 9B | 182 BPM |
Section: 0.6518869400024414
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