Samuel Coleridge-Taylor, RTE Concert Orchestra, Adrian Leaper made "Othello, Op. 79: I. Dance" available on July 25, 1995. The duration of Othello, Op. 79: I. Dance is about two minutes long, specifically at 2:18. This song does not appear to have any foul language. Othello, Op. 79: I. Dance's duration is considered a little bit shorter than the average duration of a typical track. The song is number 15 out of 18 in Coleridge-Taylor: Hiawatha Overture / Petite Suite by Samuel Coleridge-Taylor. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. Othello, Op. 79: I. Dance is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Othello, Op. 79: I. Dance by Samuel Coleridge-Taylor, RTE Concert Orchestra, Adrian Leaper is Andante (at a walking pace), since this song has a tempo of 82 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song has a musical key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
African Suite, Op. 35: II. A Love Song (Orch. Chris Cameron) | Samuel Coleridge-Taylor, Chineke! Orchestra, Kevin John Edusei | C Major | 1 | 8B | 113 BPM | ||
Pelleas et Melisande, Op. 80 (arr. C. Koechlin): I. Prelude - Andante molto moderato | Charles Koechlin, Gabriel Fauré, Sarah Wegener, Stuttgart Radio Symphony Orchestra, Heinz Holliger | E Major | 1 | 12B | 94 BPM | ||
Peer Gynt Suite No. 1, Op. 46: I. Morning Mood | Edvard Grieg, Leonard Slatkin, St. Louis Symphony | B Minor | 1 | 10A | 134 BPM | ||
Cinderella, Op. 87: Act I: No. 1. Introduction: Andante dolce | Sergei Prokofiev, Gennady Rozhdestvensky, Moscow RTV Large Symphony Orchestra | D♭ Major | 1 | 3B | 114 BPM | ||
Symphony No. 5 in C-Sharp Minor: IV. Adagietto. Sehr langsam | Gustav Mahler, Adrian Leaper | G Major | 2 | 9B | 79 BPM | ||
Symphony Fantastique in C Major, Op 14: III. Scene aux champs - Adagio | Hector Berlioz, Alberto Lizzio, Süddeutsche Philharmonie | F Major | 1 | 7B | 73 BPM | ||
Violin Concerto No. 2 in D Minor, Op. 61: II. Andantino sostenuto | Karol Szymanowski, Warmia Symphonic Orchestra, Silvano Frontalini, Beatrice Antonionini | A♭ Major | 4 | 4B | 103 BPM | ||
Fancy Dress, Op. 82: Dusk: Dusk | Cecil Armstrong Gibbs, RTE Concert Orchestra, Ernest Tomlinson | G Major | 0 | 9B | 86 BPM | ||
Dubinushka (The little oak stick), Op. 62 | Nikolai Rimsky-Korsakov, Seattle Symphony Orchestra, Gerard Schwarz | A Minor | 1 | 8A | 78 BPM | ||
Prince Igor, Act II: Polovtsian Dances, Dance III | Alexander Borodin, Paavo Järvi, Orchestre Philharmonique de Radio France | F Major | 1 | 7B | 74 BPM |
Section: 0.8127598762512207
End: 0.8174338340759277