Ludwig van Beethoven, Olga Kulchynska, Nicole Chirka, Dmytro Popov, Vladyslav Buialskyi, Podlasie Opera and Philharmonic Choir, Ukrainian Freedom Orchestra, Keri-Lynn Wilson's 'Symphony No. 9 in D Minor, Op. 125 "Choral": IVi. Allegro ma non tanto. Freude, Tochter aus Elysium (Sung in Ukrainian)' came out on February 23, 2024. The duration of Symphony No. 9 in D Minor, Op. 125 "Choral": IVi. Allegro ma non tanto. Freude, Tochter aus Elysium (Sung in Ukrainian) is about two minutes long, specifically at 2:15. This song does not appear to have any foul language. Symphony No. 9 in D Minor, Op. 125 "Choral": IVi. Allegro ma non tanto. Freude, Tochter aus Elysium (Sung in Ukrainian)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 10 out of 11 in Beethoven: Symphony No. 9 by Ludwig van Beethoven, Ukrainian Freedom Orchestra, Keri-Lynn Wilson. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Based on our statistics, Symphony No. 9 in D Minor, Op. 125 "Choral": IVi. Allegro ma non tanto. Freude, Tochter aus Elysium (Sung in Ukrainian)'s popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Symphony No. 9 in D Minor, Op. 125 "Choral": IVi. Allegro ma non tanto. Freude, Tochter aus Elysium (Sung in Ukrainian) by Ludwig van Beethoven, Olga Kulchynska, Nicole Chirka, Dmytro Popov, Vladyslav Buialskyi, Podlasie Opera and Philharmonic Choir, Ukrainian Freedom Orchestra, Keri-Lynn Wilson is Allegro (fast, quick, and bright), since this song has a tempo of 137 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 5/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Massenet: Don Quichotte, Act 1: Sérénade. "Quand apparaissent les étoiles" (Don Quichotte, Juan, Dulcinée) | Jules Massenet, Michel Plasson, José van Dam, Nicolas Rivenq, Teresa Berganza, Orchestre Du Capitole De Toulouse | G Minor | 0 | 6A | 78 BPM | ||
Die Meistersinger Von Nurnberg (The Mastersingers Of Nuremberg): Wach Auf! | Slovak Radio Symphony Orchestra, Slovak Philharmonic Chorus, Richard Wagner | G Major | 2 | 9B | 112 BPM | ||
Lohengrin, WWV 75 / Act 3: Atmest du nicht mit mir die süßen Düfte? | Richard Wagner, Gundula Janowitz, James King, Bavarian Radio Symphony Orchestra, Rafael Kubelík | B♭ Major | 1 | 6B | 71 BPM | ||
Beethoven: Mass in C Major, Op. 86: I. Kyrie (Andante con moto assai vivace) | Ludwig van Beethoven, Sir Thomas Beecham, Royal Philharmonic Orchestra | E♭ Major | 1 | 5B | 116 BPM | ||
Iphigénie en Tauride, Wq. 46 (Excerpts): Patrie infortunée | Christoph Willibald Gluck, Munich Radio Orchestra, Lamberto Gardelli, Pilar Lorengar | G Major | 1 | 9B | 86 BPM | ||
Die erste Walpurgisnacht, Op. 60: Hilf, ach hilf mir, Kriegsgeselle (Tenor, Male Chorus) | Felix Mendelssohn, MDR Leipzig Radio Chorus, Kurt Masur, Leipzig Gewandhaus Orchestra, Eberhard Büchner | F Major | 1 | 7B | 68 BPM | ||
A Midsummer Night's Dream, Op. 61: Finale | Felix Mendelssohn, Tonhalle-Orchester Zürich, Paavo Järvi | E Major | 1 | 12B | 72 BPM | ||
Gurrelieder / Pt. 1: III. Tove: O, wenn des Mondes Strahlen | Arnold Schoenberg, Sharon Sweet, Wiener Philharmoniker, Claudio Abbado | B♭ Minor | 1 | 3A | 80 BPM | ||
Les 7 paroles du Christ: 2e Parole - "Hodie mecum eris in Paradiso" | Théodore Dubois, Jugendsinfonieorchester de Bonn Chorale Franco-Allemande de Paris, Bernard Lallement, Marie-Noelle Cros, Patrick Garayt, Philippe Desandré, Berthold Wicke | D Minor | 0 | 7A | 66 BPM | ||
Cherubini: Medea, Act 2: "Medea, o Medea!" (Neris) | Luigi Cherubini, Miriam Pirazzini, Orchestra del Teatro alla Scala di Milano, Tullio Serafin, Miriam Pirazzini, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin | C Minor | 1 | 5A | 85 BPM |
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