Arthur Sullivan, Carl Davis's 'Mi-ya Sa-ma and A More Humane Mikado from The Mikado - Voice' came out on November 5, 1999. Mi-ya Sa-ma and A More Humane Mikado from The Mikado - Voice is about six minutes long, preciously at 5:50, making this song fairly long compared to other songs. There are a total of 19 in the song's album "Topsy-Turvy Original Motion Picture Soundtrack". In this album, this song's track order is #7. In terms of popularity, Mi-ya Sa-ma and A More Humane Mikado from The Mikado - Voice is currently not that popular. Although the overall vibe is very danceable, it does project more negative sounds.
With Mi-ya Sa-ma and A More Humane Mikado from The Mikado - Voice by Arthur Sullivan, Carl Davis having a BPM of 107 with a half-time of 54 BPM and a double-time of 214 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
G Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Orphée aux enfers, ACT 1, Deuxième tableau: l'Olympe: Pour séduire Alcmène..(Minerve/Choeur/Diane/Cupidon/Venus/Pluton) | Jacques Offenbach, Jean-Paul Fouchécourt/Patricia Petibon/Jennifer Smith/Véronique Gens/Virginie Pochon/Choeurs de l'Opéra National de Lyon/Orchestre de l'Opéra National de Lyon/Orchestre de Chambre de Grenoble/Marc Minkowski, Marc Minkowski, Sébastien Rouland, Choeur & Orchestre De L'Opéra National De Lyon, Orchestre de Chambre de Grenoble, Orchestre De L'Opéra National De Lyon | G Major | 2 | 9B | 111 BPM | ||
Don Giovanni, K. 527, Act II: Canzonetta: Deh, vieni alla finestra | Wolfgang Amadeus Mozart, Peter Mattei, Royal Stockholm Philharmonic Orchestra, Lawrence Renes | D Major | 0 | 10B | 137 BPM | ||
10. My well-beloved Lord | Arthur Sullivan, Mary Sansom, Thomas Round, Donald Adams, The New Symphony Orchestra Of London, Isidore Godfrey | F♯ Major | 2 | 2B | 83 BPM | ||
Lucia di Lammermoor / Act 1: "Regnava nel silenzio" | Gaetano Donizetti, Dame Joan Sutherland, Huguette Tourangeau, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | G Minor | 1 | 6A | 86 BPM | ||
Chausson: Le Charme | Gérard Souzay | E♭ Major | 1 | 5B | 98 BPM | ||
Mass (A Theatre Piece For Singers, Players And Dancers): Devotions before Mass - Hymn and Psalm: "A Simple Song" - Excerpt | Leonard Bernstein | D Minor | 0 | 7A | 80 BPM | ||
The Mikado: Three Little Maids from School Are We | Deborah Rees, Thora Ker, Yvonne Patrick | A♭ Major | 0 | 4B | 89 BPM | ||
Poème d'amour: No. 3, Ouvre tes yeux bleus | Jules Massenet, Jessica Pratt, Vincenzo Scalera | G Major | 1 | 9B | 79 BPM | ||
The Pirates of Penzance: Poor Wandr'ing One! | Marilyn Hill Smith | B♭ Major | 2 | 6B | 130 BPM | ||
The Pirates of Penzance: Oh! False One, You Have Deceiv'd Me | Philip Creasy, Susan Gorton | C Major | 1 | 8B | 59 BPM |
Section: 0.580610990524292
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