"Mass (A Theatre Piece For Singers, Players And Dancers): Devotions before Mass - Hymn and Psalm: "A Simple Song" - Excerpt" by Leonard Bernstein was released on 1950. With this song being about 5 minutes long, at 4:41, "Mass (A Theatre Piece For Singers, Players And Dancers): Devotions before Mass - Hymn and Psalm: "A Simple Song" - Excerpt" by Leonard Bernstein is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Leonard Bernstein's "Leonard Bernstein - A Total Embrace: The Composer" album is number 11 out of 48. Mass (A Theatre Piece For Singers, Players And Dancers): Devotions before Mass - Hymn and Psalm: "A Simple Song" - Excerpt is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Mass (A Theatre Piece For Singers, Players And Dancers): Devotions before Mass - Hymn and Psalm: "A Simple Song" - Excerpt by Leonard Bernstein to be Andante (at a walking pace) because the track has a tempo of 80 BPM, a half-time of 40BPM, and a double-time of 160 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 5/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Du bist die Ruh, D. 776 | Franz Schubert, Renée Fleming, Christoph Eschenbach | E♭ Major | 0 | 5B | 170 BPM | ||
Nacht und Träume, D. 827 | Franz Schubert, Renée Fleming, Christoph Eschenbach | F♯ Major | 0 | 2B | 59 BPM | ||
Symphony No. 8 in E-Flat Major "Symphony of a Thousand" / Pt. 2: "Uns bleibt ein Erdenrest" - Live | Gustav Mahler, Trudeliese Schmidt, Rudolf Scholz, Wiener Philharmoniker, Leonard Bernstein, Wiener Singverein | E♭ Major | 1 | 5B | 166 BPM | ||
Aida: O patria mia | Giuseppe Verdi, Leontyne Price, Oliviero de Fabritiis, Orchestra Del Teatro Dell'Opera Di Roma | F Major | 1 | 7B | 86 BPM | ||
Peter and the Wolf, Op. 67: Allegro - Andantino, come prima | Sergei Prokofiev, New York Philharmonic, Leonard Bernstein | A♭ Major | 2 | 4B | 79 BPM | ||
Candide, Act I (Remastered): It Must be So | Leonard Bernstein, Robert Rounseville, Samuel Krachmalnick, Candide Orchestra | A Minor | 1 | 8A | 112 BPM | ||
Strauss, R: Vier letzte Lieder, TrV 196: I. Frühling | Richard Strauss, Elisabeth Schwarzkopf, George Szell, Radio-Sinfonie-Orchester Berlin | A♭ Major | 2 | 4B | 83 BPM | ||
7 Sappho Songs: The Apple Orchard | Ivor Gurney, Susan Bickley, Iain Burnside | E♭ Major | 0 | 5B | 68 BPM | ||
Flow My Tears | John Dowland, Elin Manahan Thomas, David Miller, Harry Christophers | A♭ Minor | 0 | 1A | 63 BPM | ||
Cry Out and Shout | Knut Nystedt, Stella, Solvieg Agren's Chamber Choir, Solvieg Agren | D Minor | 3 | 7A | 85 BPM |
Section: 0.6966867446899414
End: 0.7015695571899414