"Sports et Divertissements: Le Bain de mer" by Erik Satie, Jean-Marc Luisada, Jeanne Moreau was released on January 1, 1994. With Sports et Divertissements: Le Bain de mer being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 37 in the song's album "Satie: Piano Works / Poulenc: L'Histoire de Babar". In this album, this song's track order is #16. Furthermore, we believe that the track originated from Germany. Sports et Divertissements: Le Bain de mer is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Sports et Divertissements: Le Bain de mer by Erik Satie, Jean-Marc Luisada, Jeanne Moreau having a BPM of 70 with a half-time of 35 BPM and a double-time of 140 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
D♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
3 Romances, Op. 11: 1. Andante | Clara Schumann, Isata Kanneh-Mason | E♭ Minor | 0 | 2A | 127 BPM | ||
6 Pieces for Piano, P. 44: No. 3. Notturno. Lento (Version for Harp) | Ottorino Respighi, Magdalena Hoffmann | F♯ Major | 0 | 2B | 88 BPM | ||
Pavane, Op. 50 (arr. H. Busser for cello and piano) | Gabriel Fauré, Henri Büsser, Ina-Esther Joost Ben-Sasson, Allan Sternfield | F♯ Minor | 1 | 11A | 149 BPM | ||
Trois Gymnopédies: lll. "Lent et grave" | Erik Satie, Peter Dickinson | A Minor | 0 | 8A | 78 BPM | ||
Vocalise, Op. 34, No. 14 | Sergei Rachmaninoff, Berliner Philharmoniker, Lorin Maazel | E Minor | 1 | 9A | 76 BPM | ||
Le Carnaval des Animaux, R. 125: 7. Aquarium | Camille Saint-Saëns, Pascal Rogé, Cristina Ortiz, London Sinfonietta, Charles Dutoit | A Minor | 0 | 8A | 136 BPM | ||
Suite bergamasque, L. 75: III. Clair de Lune (Transcribed for Harp) | Lavinia Meijer | D♭ Major | 0 | 3B | 141 BPM | ||
Einaudi: Una mattina | Ludovico Einaudi, Gautier Capuçon, Jerome Ducros | A Minor | 0 | 8A | 87 BPM | ||
3 Gnossiennes: Gnossienne No. 1 (arr. N. Gotz for clarinet and piano): Gnossiene No. 1 (arr. for clarinet and piano) | Nandor Gotz, Erik Satie, Balazs Szokolay | F Minor | 0 | 4A | 109 BPM | ||
Première Gymnopédie | Erik Satie, Alexandre Tharaud | G Major | 0 | 9B | 76 BPM |
Section: 0.6418905258178711
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