"3 Gnossiennes: Gnossienne No. 1 (arr. N. Gotz for clarinet and piano): Gnossiene No. 1 (arr. for clarinet and piano)" by Nandor Gotz, Erik Satie, Balazs Szokolay was released on July 15, 2014. The duration of 3 Gnossiennes: Gnossienne No. 1 (arr. N. Gotz for clarinet and piano): Gnossiene No. 1 (arr. for clarinet and piano) is about 3 minutes long, at 3:16. Based on our data, "3 Gnossiennes: Gnossienne No. 1 (arr. N. Gotz for clarinet and piano): Gnossiene No. 1 (arr. for clarinet and piano)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 10 out of 21 in Debussy / Satie / Ravel: Transcriptions for Saxophone, Clarinet and Piano by Nandor Gotz, Balazs Szokolay. In terms of popularity, 3 Gnossiennes: Gnossienne No. 1 (arr. N. Gotz for clarinet and piano): Gnossiene No. 1 (arr. for clarinet and piano) is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of 3 Gnossiennes: Gnossienne No. 1 (arr. N. Gotz for clarinet and piano): Gnossiene No. 1 (arr. for clarinet and piano) by Nandor Gotz, Erik Satie, Balazs Szokolay is Moderato (at a moderate speed), since this song has a tempo of 109 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
This song has a musical key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
For Children, Vol. 1, Sz. 42 (Excerpts): No. 17, The Young Bride. Adagio [Original Version] | Béla Bartók, Fülöp Ránki | B Minor | 0 | 10A | 78 BPM | ||
Orpheo ed Euridice, Wq. 30, Act II: Dance of the Blessed Spirits | Christoph Willibald Gluck, Eugene Ormandy, Philadelphia Orchestra | D Minor | 1 | 7A | 67 BPM | ||
Caresse | Takashi Yoshimatsu, Erik Satie, Pascal Rogé | E Minor | 0 | 9A | 67 BPM | ||
Kurd Shepher's Dance | Georges Ivanovitch Gurdjieff, Mario Sollazzo | A Minor | 0 | 8A | 69 BPM | ||
Schumann: 12 Gedichte aus Liebesfrühling, Op. 37: No. 11: Warum willst du andre fragen | Clara Schumann, Anneleen Lenaerts, Dionysis Grammenos | A♭ Major | 0 | 4B | 71 BPM | ||
El cant dels ocells (Song of the Birds) (version for cello and piano) | Pablo Casals, Amit Peled, Noreen Polera | A Minor | 4 | 8A | 167 BPM | ||
Keyboard Sonatina In C Major, Op. 36, No. 3: II. Un Poco Adagio | Muzio Clementi, Balazs Szokolay | G Major | 0 | 9B | 170 BPM | ||
Morceaux de Fantaisie, Op. 3: 1. Elégie | Sergei Rachmaninoff, Sheku Kanneh-Mason, Isata Kanneh-Mason | E♭ Minor | 1 | 2A | 89 BPM | ||
Rinaldo, HWV 7: Lascia ch'io pianga (Arr. for Piano) | George Frideric Handel, Martin Stadtfeld | F Major | 0 | 7B | 68 BPM | ||
Smiles For Y | Ezio Bosso | C Minor | 2 | 5A | 142 BPM |
Section: 0.5826928615570068
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