Gabriel Fauré, Henri Büsser, Ina-Esther Joost Ben-Sasson, Allan Sternfield's 'Pavane, Op. 50 (arr. H. Busser for cello and piano)' came out on February 23, 2010. Pavane, Op. 50 (arr. H. Busser for cello and piano) is about six minutes long, preciously at 5:42, making this song fairly long compared to other songs. The song is number 14 out of 14 in Faure, G.: Music for Cello and Piano by Gabriel Fauré, Ina-Esther Joost Ben-Sasson. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. Based on our statistics, Pavane, Op. 50 (arr. H. Busser for cello and piano)'s popularity is average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Pavane, Op. 50 (arr. H. Busser for cello and piano) by Gabriel Fauré, Henri Büsser, Ina-Esther Joost Ben-Sasson, Allan Sternfield is Allegro (fast, quick, and bright), since this song has a tempo of 149 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
This song is in the music key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
4 Short Pieces, H. 104: No. 2, Spring Song (Arr. Parkin for Cello and String Quartet) | Frank Bridge, Sheku Kanneh-Mason, The Heath Quartet | G Major | 0 | 9B | 52 BPM | ||
Nocturne in B Flat Major, H. 37 (Version for Harp) | John Field, Magdalena Hoffmann | B♭ Major | 1 | 6B | 97 BPM | ||
The Seasons, Op. 37b: VI. June, "Barcarolle" | Pyotr Ilyich Tchaikovsky, Yefim Bronfman | G Minor | 0 | 6A | 87 BPM | ||
Lied ohne Worte in F-Sharp Minor, Op. 67/2 | Felix Mendelssohn, Khatia Buniatishvili | F♯ Minor | 1 | 11A | 75 BPM | ||
Siciliano (After "Erbarme dich" from Matthäus-Passion, BWV 244, No. 39) | Johann Sebastian Bach, Martin Stadtfeld | G Minor | 1 | 6A | 79 BPM | ||
3 Songs, Op. 7: No. 1. Apres un reve (arr. for cello and piano) | Anonymous, Gabriel Fauré, Harriet Krijgh, Kamilla Isanbaeva | F Minor | 1 | 4A | 89 BPM | ||
Ma mère l'oye, M. 62: Tableau VI: Le jardin feerique | Maurice Ravel, Orchestre National De Lyon, Leonard Slatkin | C Major | 0 | 8B | 42 BPM | ||
4 Postludes for Piano & String Orchestra: No. 3. Larghetto, con moto (poco rubato) | Valentin Silvestrov, Elisaveta Blumina, Stuttgart Chamber Orchestra, Thomas Sanderling | G Major | 0 | 9B | 74 BPM | ||
Gabriel's Oboe - For Cello and Orchestra | Ennio Morricone, Mikael Samsonov, Pavel Lyubomudrov, Metamorphose String Orchestra | D Major | 1 | 10B | 171 BPM | ||
Nocturne-serenade, Op. 45 | Pablo de Sarasate, Tianwa Yang, Navarre Symphony Orchestra, Ernest Martinez Izquierdo | B♭ Major | 0 | 6B | 108 BPM |
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