"La Bohème / Act 3: "Donde lieta uscì"" by Giacomo Puccini, Pumeza Matshikiza, Staatsorchester Stuttgart, Simon Hewett was released on January 1, 2014. The duration of La Bohème / Act 3: "Donde lieta uscì" is about 3 minutes long, at 3:07. Based on our data, "La Bohème / Act 3: "Donde lieta uscì"" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. This song is part of Voice Of Hope by Pumeza Matshikiza, Aurora Orchestra, Iain Farrington. The song's track number on the album is #8 out of 15 tracks. In terms of popularity, La Bohème / Act 3: "Donde lieta uscì" is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since La Bohème / Act 3: "Donde lieta uscì" by Giacomo Puccini, Pumeza Matshikiza, Staatsorchester Stuttgart, Simon Hewett has a tempo of 106 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With La Bohème / Act 3: "Donde lieta uscì" being at 106 BPM, the half-time would be 53 BPM with a double-time of 212 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 3/4.
This song is in the music key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Panis Angelicus | Franco Corelli | A Major | 1 | 11B | 66 BPM | ||
Così fan tutte, K. 588 / Act I: "Soave sia il vento" | Wolfgang Amadeus Mozart, Miah Persson, Angela Brower, Alessandro Corbelli, Chamber Orchestra of Europe, Yannick Nézet-Séguin | G Minor | 1 | 6A | 88 BPM | ||
La Cenerentola: Overture (Sinfonia) | Gioachino Rossini, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly | A Minor | 1 | 8A | 116 BPM | ||
Samson et Dalila, Op.47, R. 288 / Act 2: "Mon coeur s'ouvre à ta voix" | Camille Saint-Saëns, Olga Borodina, Orchestra of the Welsh National Opera, Carlo Rizzi | D♭ Major | 1 | 3B | 86 BPM | ||
Manon Lescaut / Act 1: "Donna non vidi mai" | Giacomo Puccini, José Cura, Orchestra Del Teatro Alla Scala, Milano, Riccardo Muti | B♭ Major | 2 | 6B | 136 BPM | ||
L'Heure exquise | Reynaldo Hahn, Susan Graham | D♭ Major | 0 | 3B | 79 BPM | ||
Mozart: Don Giovanni, K. 527, Act 1 Scene 1: No. 1, Introduzione, "Notte e giorno faticar" (Leporello, Donna Anna, Don Giovanni, Il Commendatore) | Wolfgang Amadeus Mozart, William Shimell, Riccardo Muti, Wiener Philharmoniker | F Major | 2 | 7B | 94 BPM | ||
Samson et Dalila, Op. 47, R. 288 / Act II: "Mon coeur s'ouvre à ta voix" | Camille Saint-Saëns, Marilyn Horne, Wiener Opernorchester, Henry Lewis | D♭ Major | 3 | 3B | 174 BPM | ||
Sadko: Song Of India | Nikolai Rimsky-Korsakov, Aida Garifullina, Vienna Radio Symphony Orchestra, Cornelius Meister | A Major | 2 | 11B | 75 BPM | ||
Puccini: Un bel di, vedremo, Madama Butterfly | Celine Byrne, Giacomo Puccini, RTÉ National Symphony Orchestra, Marco Zambelli | D♭ Major | 1 | 3B | 90 BPM |
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