Giovanni Mossi, Musica Antiqua Köln, Reinhard Goebel made "Concerto in G minor, op.4, No. 12 (1726): 4. Allegro" available on January 1, 2007. The duration of Concerto in G minor, op.4, No. 12 (1726): 4. Allegro is about 3 minutes long, at 3:03. Based on our data, "Concerto in G minor, op.4, No. 12 (1726): 4. Allegro" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 22 in the song's album "Torelli / Mossi / Valentini / Locatelli / Leo: Concertos for 4 violins". In this album, this song's track order is #8. Furthermore, we believe that the track originated from Germany. Concerto in G minor, op.4, No. 12 (1726): 4. Allegro is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Concerto in G minor, op.4, No. 12 (1726): 4. Allegro by Giovanni Mossi, Musica Antiqua Köln, Reinhard Goebel having a BPM of 79 with a half-time of 40 BPM and a double-time of 158 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of F♯ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Baryton Trio in A Major, Hob. XI:6: III. Presto | Joseph Haydn, Valencia Baryton Project | A♭ Major | 2 | 4B | 80 BPM | ||
XII sonate a tre o quattro strumenti e basso: Sonata X a 3 | Antonio Bertali, Ars Antiqua Austria, Gunar Letzbor | F♯ Major | 2 | 2B | 88 BPM | ||
Hamburg Symphony No. 6 in E Major, Wq. 182: II. Poco andante | Carl Philipp Emanuel Bach, Arte dei Suonatori, Marcin Świątkiewicz | D♭ Major | 3 | 3B | 100 BPM | ||
3e Livre de Sonates à violon seul avec la basse continue, Sonata Quarta: II. Allemanda | Jean-Baptiste Quentin, Anna Besson, Myriam Rignol, Jean Rondeau | E♭ Minor | 1 | 2A | 137 BPM | ||
Ouverture in C Minor, GWV 413: VII. Sarabande | Christoph Graupner, Main-Barockorchester Frankfurt | F♯ Major | 1 | 2B | 101 BPM | ||
Sonata sesta in G Major: II. Con Spirito ma non presto | Mrs Philarmonica, Le Consort | F♯ Major | 3 | 2B | 70 BPM | ||
Recorder Concerto No. 9 in A Minor: IV. Largo e piano | Alessandro Scarlatti, Dorothee Oberlinger, Ensemble 1700 | A♭ Minor | 0 | 1A | 65 BPM | ||
The Four Seasons, Violin Concerto in F Major, Op. 8 No. 3, RV 293 "Autumn": II. Adagio molto | Antonio Vivaldi, Anima Musicæ Chamber Orchestra | F Minor | 1 | 4A | 171 BPM | ||
Sonata a tre in sol minore: II. Adagio | Giovanni Maria Bononcini, Musica Antiqua Latina | F♯ Minor | 1 | 11A | 111 BPM | ||
Concerto à più istrumenti, Op. 6, Concerto No. 5 in G Major: I. Allegro e vivace asai | Evaristo Felice Dall'Abaco, Davide Monti, Accademia Strumentale Italiana, Alberto Rasi | F♯ Minor | 1 | 11A | 94 BPM |
Section: 0.5717864036560059
End: 0.5756072998046875