Christoph Graupner, Main-Barockorchester Frankfurt made "Ouverture in C Minor, GWV 413: VII. Sarabande" available on March 18, 2022. With Ouverture in C Minor, GWV 413: VII. Sarabande being less than two minutes long, at 1:49, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 10 out of 27 in Der Herr ist auferstanden: Arias & Duets for Eastertide by Christoph Graupner, Franz Vitzthum, Georg Poplutz, Main-Barockorchester Frankfurt. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, Ouverture in C Minor, GWV 413: VII. Sarabande is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Ouverture in C Minor, GWV 413: VII. Sarabande by Christoph Graupner, Main-Barockorchester Frankfurt is Andante (at a walking pace), since this song has a tempo of 101 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
F♯ Major is the music key of this track. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
I - Grave from: Concerto No. 1 in f minor | Accademia Bizantina | E Minor | 1 | 9A | 108 BPM | ||
Suitte en Trio No. 2 in A Major, Op. 1: II. Allemande | Louis-Antoine Dornel, Musica Barocca | E♭ Major | 2 | 5B | 131 BPM | ||
Symphony in C Major, WK 37: I. Allegro assai | Carl Friedrich Abel, Main-Barockorchester Frankfurt, Martin Jopp | G Major | 2 | 9B | 136 BPM | ||
3e Livre de Sonates à violon seul avec la basse continue, Sonata Quarta: III. Sarabanda | Jean-Baptiste Quentin, Anna Besson, Myriam Rignol, Jean Rondeau | A♭ Major | 1 | 4B | 105 BPM | ||
Hamburg Symphony No. 5 in B Minor, Wq. 182: II. Larghetto | Carl Philipp Emanuel Bach, Arte dei Suonatori, Marcin Świątkiewicz | D♭ Major | 3 | 3B | 100 BPM | ||
Violin Sonata No. 5 in G Major: II. Presto | Élisabeth Jacquet de La Guerre, David Plantier, Daniela Dolci | A Major | 2 | 11B | 176 BPM | ||
Violin Sonata in F Major, Op. 5 No. 4: I. Adagio (Version for Flute) | Arcangelo Corelli, Anna Besson, Myriam Rignol, Jean Rondeau | A♭ Major | 1 | 4B | 105 BPM | ||
Overture in D Major, TWV 55:D21: Overture in D Major, TWV 55:D21: IV. Carillon | Georg Philipp Telemann, Akademie für Alte Musik Berlin, Bernhard Forck | B Major | 1 | 1B | 109 BPM | ||
Sinfonia No. 8 in si bemolle maggiore (Gesù presentato nel tempio): II. Largo | Antonio Caldara, Claudio Ferrarini, Accademia Farnese | A Minor | 1 | 8A | 96 BPM | ||
Sonata No. 7 in E Minor "La magnifique": IV. Sarabande | Louis-Nicolas Clérambault, Barthold Kuijken, Arnie Tanimoto, Donald Livingston | D Minor | 1 | 7A | 103 BPM |
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