"Magnificat, RV 610: 9. Gloria Patri" by Antonio Vivaldi, Estonian Philharmonic Chamber Choir, Tallinn Chamber Orchestra, Tõnu Kaljuste was released on August 1, 2003. With Magnificat, RV 610: 9. Gloria Patri being less than two minutes long, at 1:55, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Vivaldi: Gloria - Messsätze und Vespern by Antonio Vivaldi, Estonian Philharmonic Chamber Choir, Tallinn Chamber Orchestra, Tõnu Kaljuste. The song's track number on the album is #28 out of 28 tracks. Based on our data, Germany was the country where this track was produced or recorded. In terms of popularity, Magnificat, RV 610: 9. Gloria Patri is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Magnificat, RV 610: 9. Gloria Patri by Antonio Vivaldi, Estonian Philharmonic Chamber Choir, Tallinn Chamber Orchestra, Tõnu Kaljuste has a tempo of 103 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Magnificat, RV 610: 9. Gloria Patri being at 103 BPM, the half-time would be 52 BPM with a double-time of 206 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
G Minor is the music key of this track. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Te Deum: In Te, Domine, speravi | Jean-Baptiste Lully, Le Concert Spirituel, Herve Niquet | D Minor | 0 | 7A | 78 BPM | ||
Te Deum, H. 146: X. In te Domine speravi | Marc-Antoine Charpentier, Véronique Gens, Les Arts Florissants, Jean-Paul Fouchécourt, Gilles Ragon, Bernard Deletré, William Christie | D♭ Major | 3 | 3B | 97 BPM | ||
Geistliche Chormusik, Op. 11: 4. Verleih uns Frieden genädiglich, SWV 372 | Heinrich Schütz, Frauke Hess, Ludger Rémy, Cappella Sagittariana Dresden, Dresdner Kammerchor, Hans-Christoph Rademann | A♭ Minor | 1 | 1A | 75 BPM | ||
Mass No. 2 in G Major, D. 167: III. Credo | Franz Schubert, Edith Lienbacher, Alexander Kaimbacher, Anton Scharinger, Erhard Nowak, Vienna Chamber Choir, Orpheus Orchester Wien, Johannes Prinz | G Major | 1 | 9B | 131 BPM | ||
Magnificat en sol mineur, RV 610: X. Sicut erat in principio | Antonio Vivaldi, Jordi Savall, La Capella Reial De Catalunya, Le Concert Des Nations | A Major | 0 | 11B | 83 BPM | ||
Magnificat in B flat major: Et misericordia | Francesco Durante, Bernhard Landauer, Thomas Hengelbrock | F♯ Minor | 0 | 11A | 78 BPM | ||
Psalm 42, Op. 42, MWV A15: Finale: Warum betrubst du dich (Chorus) | Felix Mendelssohn, Sibylla Rubens, Scot Weir, Christoph Genz, Matthias Goerne, Thomas Mehnert, Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart, Helmuth Rilling | E♭ Major | 1 | 5B | 132 BPM | ||
Vespro della beata Vergine (1610): Concerto - Duo Seraphim | Claudio Monteverdi, Andrew Parrott, The Taverner Consort, Choir & Players | G Minor | 2 | 6A | 82 BPM | ||
Mass in B Flat Major - Missa brevis Sancti Joannis de Deo ("Kleine Orgelmesse"), Hob.XXII:7: 2. Gloria | Joseph Haydn, Choir of St. John's College, Cambridge, John Scott, Academy of St. Martin in the Fields, George Guest | E♭ Major | 1 | 5B | 75 BPM | ||
Magnificat (Formerly Attrib. Pergolesi): Deposuit Potentes | Francesco Durante, Choir of King's College, Cambridge, Academy of St. Martin in the Fields, Sir David Willcocks | E♭ Major | 1 | 5B | 97 BPM |
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