City Of Birmingham Symphony Orchestra, Sir Mark Elder's 'King Lear Op. 58a - 1941 Production: The Fool's ten songs - The scene on the hea' came out on June 28, 2005. The duration of King Lear Op. 58a - 1941 Production: The Fool's ten songs - The scene on the hea is about two minutes long, specifically at 2:02. This song does not appear to have any foul language. King Lear Op. 58a - 1941 Production: The Fool's ten songs - The scene on the hea's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 44 in the song's album "Shostakovich: Hamlet & King Lear". In this album, this song's track order is #41. Furthermore, we believe that the track originated from United States. King Lear Op. 58a - 1941 Production: The Fool's ten songs - The scene on the hea is below average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With King Lear Op. 58a - 1941 Production: The Fool's ten songs - The scene on the hea by City Of Birmingham Symphony Orchestra, Sir Mark Elder having a BPM of 72 with a half-time of 36 BPM and a double-time of 144 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
D♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Coates: Calling All Workers (March) | Eric Coates, City Of Birmingham Symphony Orchestra, Reginald Kilbey | C Major | 5 | 8B | 141 BPM | ||
Symphony No. 3 in C Minor, Op. 78 "Organ": I. Adagio | Camille Saint-Saëns, Eugene Ormandy, Philadelphia Orchestra | F Minor | 0 | 4A | 84 BPM | ||
Elgar: Variations on an Original Theme, Op. 36 "Enigma": Variation III. R.B.T. | Edward Elgar, City Of Birmingham Symphony Orchestra, Sir Simon Rattle | G Major | 0 | 9B | 66 BPM | ||
The Four Seasons Recomposed, Spring (After A. Vivaldi): II. — | Max Richter, Francisco Fullana, City Of Birmingham Symphony Orchestra, Carlos Izcaray | D♭ Minor | 2 | 12A | 83 BPM | ||
Mahler: Symphony No. 2 in C Minor "Resurrection": V. (d) Wieder zurückhaltend | Gustav Mahler, Sir Simon Rattle, City Of Birmingham Symphony Orchestra | E♭ Major | 0 | 5B | 73 BPM | ||
Britten: A Suite on English Folk Tunes, Op. 90 "A Time There Was": III. Hankin Booby | Benjamin Britten, Sir Simon Rattle, City Of Birmingham Symphony Orchestra | B♭ Major | 2 | 6B | 65 BPM | ||
Delius / Arr. Fenby: Koanga, Act II: La Calinda | Frederick Delius, Sir John Barbirolli, Hallé | E Minor | 4 | 9A | 116 BPM | ||
Haydn: Symphony No. 60 in C Major, Hob. I:60 "Il distratto": I. Adagio - Allegro di molto | Joseph Haydn, City Of Birmingham Symphony Orchestra, Sir Simon Rattle | F Major | 0 | 7B | 110 BPM | ||
Concerto No. 2 for Piano and Orchestra, Op. 102 (Remastered): II. Andante | Dmitri Shostakovich, Leonard Bernstein | F Major | 1 | 7B | 172 BPM | ||
Tchaikovsky : Symphony No.5 in E minor Op.64 : III Valse - Allegro moderato | Pyotr Ilyich Tchaikovsky, Daniel Barenboim, Chicago Symphony Orchestra | A Major | 1 | 11B | 146 BPM |
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