"Violin Concerto in A, D.96: 2. Adagio" by Giuseppe Tartini, Salvatore Accardo, I Musici was released on 1974. With this song being about 5 minutes long, at 5:03, "Violin Concerto in A, D.96: 2. Adagio" by Giuseppe Tartini, Salvatore Accardo, I Musici is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 17 in the song's album "Tartini: Violin Concertos". In this album, this song's track order is #2. Furthermore, we believe that the track originated from Netherlands. Violin Concerto in A, D.96: 2. Adagio is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Violin Concerto in A, D.96: 2. Adagio by Giuseppe Tartini, Salvatore Accardo, I Musici having a BPM of 88 with a half-time of 44 BPM and a double-time of 176 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony in G Minor, Op. 6, No. 6, W. C12: I. Allegro | Johann Christian Bach, Concerto Köln | F♯ Minor | 1 | 11A | 87 BPM | ||
Double Bass Concerto, Op. 3: III. Allegro | Serge Koussevitzky, Iván Sztankov, Budapest Symphony Orchestra, Janos Kovacs | F♯ Minor | 2 | 11A | 69 BPM | ||
6 Chants polonais, S. 480: No. 2, Frühling (Wiosna, Spring) [After Chopin's Op. 74] | Franz Liszt, Joseph Banowetz | G Minor | 0 | 6A | 96 BPM | ||
Serenade for Strings in C major, Op. 48: II. Walzer: Moderato, tempo di valse | Pyotr Ilyich Tchaikovsky, Moscow Soloists, Yuri Bashmet | G Major | 1 | 9B | 66 BPM | ||
Tzigane, M. 76 | Maurice Ravel, Maxim Vengerov, Irina Vinogradova | D Major | 1 | 10B | 128 BPM | ||
Nonet in E-Flat Major, Op. 38: III. Scherzo. Vivace | Louise Farrenc, Consortium Classicum | C Major | 0 | 8B | 79 BPM | ||
Concerto No. 2 in B Minor for Double Bass and Orchestra: I. Allegro moderato | Giovanni Bottesini, Edgar Meyer, Saint Paul Chamber Orchestra, Hugh Wolff | E Minor | 1 | 9A | 126 BPM | ||
Sinfonia in D Major, "La Veneziana": III. Presto | Antonio Salieri, Chopin Chamber Orchestra, Winston Dan Vogel | D Major | 1 | 10B | 109 BPM | ||
Sonata in D minor, K 141 | Domenico Scarlatti, Pierre Hantaï | D♭ Minor | 5 | 12A | 140 BPM | ||
Variations on a Theme by Corelli | Giuseppe Tartini, Ruggiero Ricci, Brooks Smith | F Major | 2 | 7B | 106 BPM |
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